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Seeing Motion : a History of Visual Perception in Art and Science / Romana Karla Schuler.

By: Material type: TextTextSeries: Edition Die Angewandte, University PressPublication details: De Gruyter : De Gruyter, 2015.Description: 1 online resource (304 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9783110422993
  • 3110422999
  • 9783110423037
  • 3110423030
  • 9783110426960
  • 311042696X
Subject(s): Genre/Form: Additional physical formats: Print version:: Seeing Motion : A History of Visual Perception in Art and Science.DDC classification:
  • 700
LOC classification:
  • N7430.5 .S38 2016
Online resources:
Contents:
TABLE OF CONTENTS ; PREFACE: On Theories and Art in Visualizing (Apparent)-Motion ; Acknowledgements ; PART 1: On the Study of Apparent Motion, Apparent Corporeality and Apparent Spatiality ; Seeing as a Scientific Topic ; The Beginnings of the Study of Apparent Motion.
An Individual Way of Seeing: Jan Evangelista Purkinje The Explanation of an Optical Illusion: Peter Mark Roget ; The First Motion Picture Machine: Joseph Plateau ; The Phenakistoscope or the Stroboscopic Disk ; Inventions with Stroboscopic Effects ; The Talbot-Plateau law of 1834/35.
Gustav Theodor Fechner's Subjective colors Four notes on Afterimages ; Experiments on the Simulation of Riparian Illusion with the oppel Antirheoscope ; Z�ollner's Illusion ; Reflections on Z�ollner's Illusion: Wilhelm Filehne.
Hermann helmholtz and the new Physiological optics in the nineteenth century helmholtz's Experiments on Visual Sensations ; Ernst Br�ucke: The Advantage of Intermittent Retina Stimuli ; Josef czermak: Thoughts on Speed during Motional Illusions.
The Influence of Psychophysics on Mach's Experiments Mach's Series of Experiments on light Stimulus on the Retina ; Mach's Experiments on Sensation of Movement and Afterimages of Movement ; Studies in Movement: The Mach Drum.
Summary: Der zentrale Fokus dieser Publikation ist die Synthese von Wissenschaft und Kunst im Bereich der visuellen Wahrnehmung, insbesondere der Einfluss der im 19. Jahrhundert einsetzenden Wahrnehmungsforschung zu Illusionen, kinetischen Scheinfiguren und Scheinbewegungen auf die apparative/ maschinelle, kinetische Kunst des 20. und auf die computergest�utzte visuelle Kunst des 21. Jahrhunderts.
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TABLE OF CONTENTS ; PREFACE: On Theories and Art in Visualizing (Apparent)-Motion ; Acknowledgements ; PART 1: On the Study of Apparent Motion, Apparent Corporeality and Apparent Spatiality ; Seeing as a Scientific Topic ; The Beginnings of the Study of Apparent Motion.

An Individual Way of Seeing: Jan Evangelista Purkinje The Explanation of an Optical Illusion: Peter Mark Roget ; The First Motion Picture Machine: Joseph Plateau ; The Phenakistoscope or the Stroboscopic Disk ; Inventions with Stroboscopic Effects ; The Talbot-Plateau law of 1834/35.

Gustav Theodor Fechner's Subjective colors Four notes on Afterimages ; Experiments on the Simulation of Riparian Illusion with the oppel Antirheoscope ; Z�ollner's Illusion ; Reflections on Z�ollner's Illusion: Wilhelm Filehne.

Hermann helmholtz and the new Physiological optics in the nineteenth century helmholtz's Experiments on Visual Sensations ; Ernst Br�ucke: The Advantage of Intermittent Retina Stimuli ; Josef czermak: Thoughts on Speed during Motional Illusions.

The Influence of Psychophysics on Mach's Experiments Mach's Series of Experiments on light Stimulus on the Retina ; Mach's Experiments on Sensation of Movement and Afterimages of Movement ; Studies in Movement: The Mach Drum.

Includes bibliographical references.

Der zentrale Fokus dieser Publikation ist die Synthese von Wissenschaft und Kunst im Bereich der visuellen Wahrnehmung, insbesondere der Einfluss der im 19. Jahrhundert einsetzenden Wahrnehmungsforschung zu Illusionen, kinetischen Scheinfiguren und Scheinbewegungen auf die apparative/ maschinelle, kinetische Kunst des 20. und auf die computergest�utzte visuelle Kunst des 21. Jahrhunderts.

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