Authenticating culture in imperial Japan : Kuki Sh�uz�o and the rise of national aesthetics / Leslie Pincus.

By:

Pincus, Leslie, 1950-

Material type: Text

TextSeries: Twentieth-century Japan ; 5.Publication details: Berkeley : University of California Press, �1996.Description: 1 online resource (xii, 271 pages) : illustrationsContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780520916487
0520916484
0585131708
9780585131702

Subject(s):

Genre/Form:

Additional physical formats: Print version:: Authenticating culture in imperial Japan.DDC classification:

181/.12 20

LOC classification:

B5244.K844 P56 1996eb

Online resources:

Click here to access online

Contents:

1. Exotic Seductions and the Return to Japan -- 2. Encounters across Borders: The Philosophical Quest for Experience -- 3. History or Value: The Vicissitudes of Edo Culture -- 4. Hermeneutics; Or Culture Repossessed -- 5. An Aristocracy of Taste in an Age of Mass Culture -- Epilogue: How the Cultural Landscape Became the Property of the State.

Summary: Nearly a half century after Japan opened its doors to Western knowledge, intellectual discourse there took a sharp turn inward. Drawing on the cultural resources of a forgotten past, Japanese thinkers of the 1910s and 1930s imagined a realm of authenticity impervious to the fragmenting processes of modernization. Ultimately these thinkers equated authenticity with something irreducibly Japanese and in so doing became complicit, even instrumental, in a repressive and imperialist state apparatus. How did this cultural complicity take shape, and what does it reveal more generally about the troubled relationship between modernity and national culture?Summary: To explore these questions, Leslie Pincus focuses on the work of philosopher Kuki Shuzo, in particular his classic study of Edo style, "Iki" no kozo - a text that demonstrates with unusual clarity the philosophical sources, the modernist affiliations, and the ideological implications of this highly aestheticized discourse on culture in interwar Japan.Summary: Pincus argues that Japanese intellectuals attempted to resist the inroads of Western hegemony and reclaim what they perceived as a threatened cultural authenticity. But after several generations of assimilation with a modernized West, they had no choice but to delineate Japaneseness against, and within, dominant discursive modes derived from the West. She discovers that these intellectuals were in fact reacting to the precipitous transformation of their own social world, in which the emergence of mass culture and the specter of mass politics promised a Japan of drastically different proportions. Ultimately their own struggle for hegemony over the form and content of national culture would lead to the most disastrous political consequences.

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Includes bibliographical references (pages 249-258) and index.

Nearly a half century after Japan opened its doors to Western knowledge, intellectual discourse there took a sharp turn inward. Drawing on the cultural resources of a forgotten past, Japanese thinkers of the 1910s and 1930s imagined a realm of authenticity impervious to the fragmenting processes of modernization. Ultimately these thinkers equated authenticity with something irreducibly Japanese and in so doing became complicit, even instrumental, in a repressive and imperialist state apparatus. How did this cultural complicity take shape, and what does it reveal more generally about the troubled relationship between modernity and national culture?

To explore these questions, Leslie Pincus focuses on the work of philosopher Kuki Shuzo, in particular his classic study of Edo style, "Iki" no kozo - a text that demonstrates with unusual clarity the philosophical sources, the modernist affiliations, and the ideological implications of this highly aestheticized discourse on culture in interwar Japan.

Pincus argues that Japanese intellectuals attempted to resist the inroads of Western hegemony and reclaim what they perceived as a threatened cultural authenticity. But after several generations of assimilation with a modernized West, they had no choice but to delineate Japaneseness against, and within, dominant discursive modes derived from the West. She discovers that these intellectuals were in fact reacting to the precipitous transformation of their own social world, in which the emergence of mass culture and the specter of mass politics promised a Japan of drastically different proportions. Ultimately their own struggle for hegemony over the form and content of national culture would lead to the most disastrous political consequences.

Print version record.

English.

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