Women lovers, or The third woman / Natalie Clifford Barney ; edited and translated by Chelsea Ray.

By:

Barney, Natalie Clifford [author.]

Contributor(s):

Ray, Chelsea, 1972- [editor,, translator.]

Material type: Text

TextLanguage: English Original language: French Publisher: Madison, Wisconsin : The University of Wisconsin Press, [2016]Copyright date: �2016Description: 1 online resource (xlvii, 160 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780299306939
0299306933

Uniform titles:

Amants f�eminins, ou, La troisi�eme. English

Subject(s):

Genre/Form:

Additional physical formats: Print version:: Women lovers, or The third woman.DDC classification:

843/.912 23

LOC classification:

PQ3939.B3 A813 2016eb

Online resources:

Click here to access online

Summary: This long-lost novel recounts a passionate triangle of love and loss among three of the most daring women of belle �epoque Paris. In this barely disguised roman �a clef, the legendary American heiress, writer, and arts patron Natalie Clifford Barney, the dashing Italian baroness Mimi Franchetti, and the beautiful French courtesan Liane de Pougy share erotic liaisons that break all taboos and end in devastation as one unexpectedly becomes the "third woman." Never before published in English, and only recently published in French, this modernist, experimental work has been brought to light by Chel.

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Originally published in France as Amants f�eminins, ou, La troisi�eme, �2013 ErosOnyx.

Includes bibliographical references.

Print version record.

This long-lost novel recounts a passionate triangle of love and loss among three of the most daring women of belle �epoque Paris. In this barely disguised roman �a clef, the legendary American heiress, writer, and arts patron Natalie Clifford Barney, the dashing Italian baroness Mimi Franchetti, and the beautiful French courtesan Liane de Pougy share erotic liaisons that break all taboos and end in devastation as one unexpectedly becomes the "third woman." Never before published in English, and only recently published in French, this modernist, experimental work has been brought to light by Chel.

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