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Confronting evil : the psychology of secularization in modern French literature / Scott M. Powers.

By: Material type: TextTextSeries: Purdue studies in Romance literatures ; v. 66.Publisher: West Lafayette, Indiana : Purdue University Press, 2016Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781612494524
  • 1612494528
Subject(s): Genre/Form: Additional physical formats: Print version:: No titleDDC classification:
  • 840.9/353 23
LOC classification:
  • PQ307.E87 P69 2016
Online resources:
Contents:
Cover -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- Chapter One: Writing against Theodicy: Secularization in Baudelaire's Poetry and Critical Essays -- Chapter Two: The Mourning of God and the Ironies of Secularization in Baudelaire's Le Spleen de Paris -- Chapter Three: Sublimation and Conversion in Zola and Huysmans -- Chapter Four: The Staging of Doubt: Zola and Huysmans on Lourdes -- Chapter Five: Religious and Secular Conversions: Transformations in C�eline's Medical Perspective on Evil -- Conclusion -- Notes -- Bibliography -- Index -- About the Book -- About the Author.
Summary: Confronting Evil: The Psychology of Secularization in Modern French Literature holds that the concept of evil is central to the psychology of secularism. Drawing on notions of secularization as a phenomenon of ambivalence or dualism in which religion continues to exist alongside secularity in exerting influence on modern French thought, author Scott M. Powers enlists psychoanalytic theory on mourning and sublimation, the philosophical concept of the sublime, Charles Taylor's theory of religious and secular "cross-pressures," and William James's psychology of conversion to account for the survival of religious themes in Baudelaire, Zola, Huysmans, and C�line. For Powers, Baudelaire's prose poems, Zola's experimental novels, and Huysmans's and C�line's early narratives attempt to account for evil by redefining the traditionally religious concept along secular lines. However, when unmitigated by the mechanisms of irony and sublimation, secular confrontation with the dark and seemingly absurd dimension of man leads modern writers such as Huysmans and C�line, paradoxically, to embrace a religious or quasi-religious understanding of good and evil. In the end, Powers finds that how authors cope with the reality of suffering and human wickedness has a direct bearing on the ability to sustain a secular vision.
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Includes bibliographical references and index.

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Confronting Evil: The Psychology of Secularization in Modern French Literature holds that the concept of evil is central to the psychology of secularism. Drawing on notions of secularization as a phenomenon of ambivalence or dualism in which religion continues to exist alongside secularity in exerting influence on modern French thought, author Scott M. Powers enlists psychoanalytic theory on mourning and sublimation, the philosophical concept of the sublime, Charles Taylor's theory of religious and secular "cross-pressures," and William James's psychology of conversion to account for the survival of religious themes in Baudelaire, Zola, Huysmans, and C�line. For Powers, Baudelaire's prose poems, Zola's experimental novels, and Huysmans's and C�line's early narratives attempt to account for evil by redefining the traditionally religious concept along secular lines. However, when unmitigated by the mechanisms of irony and sublimation, secular confrontation with the dark and seemingly absurd dimension of man leads modern writers such as Huysmans and C�line, paradoxically, to embrace a religious or quasi-religious understanding of good and evil. In the end, Powers finds that how authors cope with the reality of suffering and human wickedness has a direct bearing on the ability to sustain a secular vision.

Cover -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- Chapter One: Writing against Theodicy: Secularization in Baudelaire's Poetry and Critical Essays -- Chapter Two: The Mourning of God and the Ironies of Secularization in Baudelaire's Le Spleen de Paris -- Chapter Three: Sublimation and Conversion in Zola and Huysmans -- Chapter Four: The Staging of Doubt: Zola and Huysmans on Lourdes -- Chapter Five: Religious and Secular Conversions: Transformations in C�eline's Medical Perspective on Evil -- Conclusion -- Notes -- Bibliography -- Index -- About the Book -- About the Author.

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