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Stories from the camera : reflections on the photograph / Michele M. Penhall.

By: Material type: TextTextCopyright date: �2015Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780826355904
  • 0826355900
Subject(s): Genre/Form: Additional physical formats: Print version:: Stories from the camera.DDC classification:
  • 770 23
LOC classification:
  • TR15 .P46 2015
Online resources:
Contents:
Front Cover; Title Page; Copyright; Contents; Preface; Acknowledgments; Introduction: About a Collection / Michele M. Penhall; RICHARD RUDISILL; Climate of Need; BEAUMONT NEWHALL; The Unreality of Photography; VAN DEREN COKE; Stop-Action Photography; THOMAS BARROW; Mean Streets; SARAH GREENOUGH; Beaumont Newhall: Understanding Photography by Photographing; GEOFFREY BATCHEN; Encountering the Vernacular; EUGENIA PARRY; Double Life; Immaculata; Leap; As If; Fool's Errand; CHRISTOPHER KALTENBACH; The Echo Mirror; JOEL-PETER WITKIN; Five Photographs from Twentieth-Century America.
What Else Is There?ROBERT PARKEHARRISON; Lone Grave; APRIL M. WATSON; A Picture Points Beyond Itself: Robert Adams's Romanticism; A Matter of Cleavage: Garry Winogrand's Women Are Beautiful, Revisited; Piecing History Together: �Edouard Baldus at the Cloister of Saint-Troph�ime; CARLA WILLIAMS; Carrie and Lorna; MERIDEL RUBENSTEIN; Two Images: Julia Margaret Cameron and Emmet Gowin; MICHELE M. PENHALL; His Story; Plates; Coda; Appendix One: Photographers in the Collection; Appendix Two: University of New Mexico Art Museum Directors and Curators; Bibliography of Related Works; Index; Back Cover.
Summary: As one of the earliest collegiate institutions to begin collecting photography, the University of New Mexico Art Museum holds a stunning array of images that span photography's 175-year history.
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Includes bibliographical references and index.

Print version record.

Front Cover; Title Page; Copyright; Contents; Preface; Acknowledgments; Introduction: About a Collection / Michele M. Penhall; RICHARD RUDISILL; Climate of Need; BEAUMONT NEWHALL; The Unreality of Photography; VAN DEREN COKE; Stop-Action Photography; THOMAS BARROW; Mean Streets; SARAH GREENOUGH; Beaumont Newhall: Understanding Photography by Photographing; GEOFFREY BATCHEN; Encountering the Vernacular; EUGENIA PARRY; Double Life; Immaculata; Leap; As If; Fool's Errand; CHRISTOPHER KALTENBACH; The Echo Mirror; JOEL-PETER WITKIN; Five Photographs from Twentieth-Century America.

What Else Is There?ROBERT PARKEHARRISON; Lone Grave; APRIL M. WATSON; A Picture Points Beyond Itself: Robert Adams's Romanticism; A Matter of Cleavage: Garry Winogrand's Women Are Beautiful, Revisited; Piecing History Together: �Edouard Baldus at the Cloister of Saint-Troph�ime; CARLA WILLIAMS; Carrie and Lorna; MERIDEL RUBENSTEIN; Two Images: Julia Margaret Cameron and Emmet Gowin; MICHELE M. PENHALL; His Story; Plates; Coda; Appendix One: Photographers in the Collection; Appendix Two: University of New Mexico Art Museum Directors and Curators; Bibliography of Related Works; Index; Back Cover.

As one of the earliest collegiate institutions to begin collecting photography, the University of New Mexico Art Museum holds a stunning array of images that span photography's 175-year history.

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