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Borrowed voices : writing and racial ventriloquism in the Jewish American imagination / Jennifer Glaser.

By: Material type: TextTextPublisher: New Brunswick, New Jersey : Rutgers University Press, 2016Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780813577425
  • 081357742X
  • 9780813577418
  • 0813577411
Subject(s): Genre/Form: Additional physical formats: Print version:: Borrowed voicesDDC classification:
  • 810.9/8924 23
LOC classification:
  • PS153.J4 G53 2016eb
Online resources:
Contents:
Introduction -- The politics and poetics of speaking the other -- The perils of loving in America -- What we talk about when we talk about the Holocaust -- The Jew in the canon and culture wars -- Race, indigeneity, and the topography of diaspora in contemporary Jewish American literature -- Coda.
Summary: In this provocative new study, Jennifer Glaser examines how racial ventriloquism became a hallmark of late twentieth-century Jewish-American fiction, as Jewish writers asserted that their own ethnicity enabled them to speak for other minorities. Considering works by everyone from Cynthia Ozick to Woody Allen to Michael Chabon, she demonstrates how Jewish-American fiction can help us understand the larger anxieties about identity, authenticity, and authorial voice that emerged in the wake of the civil rights movement.
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Includes bibliographical references and index.

Introduction -- The politics and poetics of speaking the other -- The perils of loving in America -- What we talk about when we talk about the Holocaust -- The Jew in the canon and culture wars -- Race, indigeneity, and the topography of diaspora in contemporary Jewish American literature -- Coda.

In this provocative new study, Jennifer Glaser examines how racial ventriloquism became a hallmark of late twentieth-century Jewish-American fiction, as Jewish writers asserted that their own ethnicity enabled them to speak for other minorities. Considering works by everyone from Cynthia Ozick to Woody Allen to Michael Chabon, she demonstrates how Jewish-American fiction can help us understand the larger anxieties about identity, authenticity, and authorial voice that emerged in the wake of the civil rights movement.

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