Nationality vs Universality : music historiographies in central and eastern Europe / edited by Slawomira Zeranska-kominek.

Contributor(s):

�Zera�nska-Kominek, S�awomira [editor.]

Material type: Text

TextPublication details: Newcastle up on Tyne, UK : Cambridge Scholars Publishing, 2016.Description: 1 online resourceContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

1443887773
9781443887779

Subject(s):

Genre/Form:

Electronic books.

DDC classification:

780.72 23

LOC classification:

ML3797.2.E97

Online resources:

Click here to access online

Summary: For the last few decades, historiography, considered as the central discipline of musicology, has explored new directions and sought inspiration for further research, consequently redefining the fundamental premises of historical musicology. This is especially true with regard to the concept of music history as the work of great individuals and the domain of artistic works, resulting from either tradition or new inventions. The validity of global and universal perspectives has been questioned, and researchers have emphasized the need to focus on local realities and day-to-day musical life. Ano.

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For the last few decades, historiography, considered as the central discipline of musicology, has explored new directions and sought inspiration for further research, consequently redefining the fundamental premises of historical musicology. This is especially true with regard to the concept of music history as the work of great individuals and the domain of artistic works, resulting from either tradition or new inventions. The validity of global and universal perspectives has been questioned, and researchers have emphasized the need to focus on local realities and day-to-day musical life. Ano.

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