The photographic object 1970 / edited by Mary Statzer.

Contributor(s):

Statzer, Mary, 1966- [editor.]

Material type: Text

TextPublisher: Oakland, California : University of California Press, [2016]Description: 1 online resource (ix, 255 pages) : illustrations (some color)Content type:

text
still image

Media type:

computer

Carrier type:

online resource

ISBN:

9780520963283
0520963288

Subject(s): Genre/Form:

Additional physical formats: Print version:: Photographic object 1970.DDC classification:

779.09/040747 23

LOC classification:

N72.P5 P49 2016eb

Online resources:

Click here to access online

Contents:

Introduction. Case study: Photography into sculpture -- Conversation with the curator, Peter Bunnell / Mary Statzer -- Peter Bunnell's Photography as printmaking and Photography into sculpture: photography and medium specificity at MoMA circa 1970 / Mary Statzer -- A "new prominence": photography at MoMA in the 1960s and 1970s / Eva Respini and Drew Sawyer -- Expanding photography circa 1970: photographic objects and conceptual art / Lucy Soutter -- Panel discussion with Ellen Brooks, Darryl Curran, and Leland Rice / Britt Salvesen, moderator -- Delightful anxiety: photography in California circa 1970 / Erin O'Toole -- The evolving photographic object / Rebecca Morse -- Interviews with the artists: Ellen Brooks ; Robert E. Brown ; Carl Cheng ; Darryl Curran ; Michael de Courcy ; Andre Haluska ; Richard Jackson ; Jerry McMillan ; Bea Nettles ; James Pennuto ; Giuseppe Pirone ; Douglas Prince ; Dale Quarterman ; Charles Roitz ; Michael Stone ; Ted Victoria ; Lynton Wells.

Summary: "In 1970 photography curator Peter C. Bunnell organized an exhibition called 'Photography into Sculpture' for the Museum of Modern Art, New York. The project, which brought together twenty-three photographers and artists from the United States and Canada, was among the first exhibitions to recognize work that blurred the boundaries between photography and other mediums. At once an exhibition catalogue after the fact, an oral history, and a critical reading of exhibitions and experimental photography during the 1960s and 1970s, 'The Photographic Object 1970' proposes precedents for contemporary artists who continue to challenge traditional practices and categories."--Provided by publisher.

Average rating: 0.0 (0 votes)

Holdings ( 0 )
Title notes ( 7 )

No physical items for this record

"Simpson, Imprint in Humanities."

Includes bibliographical references (pages 211-231) and index.

Online resource; title from digital title page (ProQuest Ebook Central, viewed January 5, 2018).

"In 1970 photography curator Peter C. Bunnell organized an exhibition called 'Photography into Sculpture' for the Museum of Modern Art, New York. The project, which brought together twenty-three photographers and artists from the United States and Canada, was among the first exhibitions to recognize work that blurred the boundaries between photography and other mediums. At once an exhibition catalogue after the fact, an oral history, and a critical reading of exhibitions and experimental photography during the 1960s and 1970s, 'The Photographic Object 1970' proposes precedents for contemporary artists who continue to challenge traditional practices and categories."--Provided by publisher.

English.

eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - Worldwide