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Amid the Fall, dreaming of Eden : Du Bois, King, Malcolm X, and emancipatory composition / Bradford T. Stull.

By: Material type: TextTextPublisher: Carbondale : Southern Illinois University Press, [1999]Copyright date: �1999Description: 1 online resource (x, 144 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780585314501
  • 0585314500
Subject(s): Genre/Form: Additional physical formats: Print version:: Amid the Fall, dreaming of Eden.DDC classification:
  • 305.896/073/00922 21
LOC classification:
  • E185.61 .S918 1999eb
Online resources:
Contents:
1. Emancipatory Composition -- The Theoretical Tradition -- Composition from the Color Line -- Du Bois, King, Malcolm X -- Theopolitical Tropes -- 2. The Fall -- Babel -- Division of Property -- Violence -- 3. The Orient -- Yellow, Alien Other -- Wise Person -- Backward Place -- 4. Africa -- Africa as Suffering -- Africa as Monstrous/Noble -- 5. Eden -- Malcolm X -- Du Bois -- King -- 6. Conclusion.
Action note:
  • digitized 2010 committed to preserve
Review: "Whom, or what, does composition - defined here as an intentional process of study, either oral or written - serve? Bradford T. Stull contends that composition would do well to articulate, in theory and practice, what could be called "emancipatory composition." He argues that emancipatory composition is radically theopolitical: it roots itself in the foundational theological and political language of the American experience while it subverts this language in order to emancipate the oppressed and, thereby, the oppressors." "To articulate this vision, Stull looks to those who compose from an oppressed place, finding in the works of W.E.B. Du Bois, Martin Luther King Jr., and Malcolm X radical theopolitical practices that can serve as a model for emancipatory composition."--Jacket.
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"Whom, or what, does composition - defined here as an intentional process of study, either oral or written - serve? Bradford T. Stull contends that composition would do well to articulate, in theory and practice, what could be called "emancipatory composition." He argues that emancipatory composition is radically theopolitical: it roots itself in the foundational theological and political language of the American experience while it subverts this language in order to emancipate the oppressed and, thereby, the oppressors." "To articulate this vision, Stull looks to those who compose from an oppressed place, finding in the works of W.E.B. Du Bois, Martin Luther King Jr., and Malcolm X radical theopolitical practices that can serve as a model for emancipatory composition."--Jacket.

Includes bibliographical references (pages 139-142) and index.

1. Emancipatory Composition -- The Theoretical Tradition -- Composition from the Color Line -- Du Bois, King, Malcolm X -- Theopolitical Tropes -- 2. The Fall -- Babel -- Division of Property -- Violence -- 3. The Orient -- Yellow, Alien Other -- Wise Person -- Backward Place -- 4. Africa -- Africa as Suffering -- Africa as Monstrous/Noble -- 5. Eden -- Malcolm X -- Du Bois -- King -- 6. Conclusion.

Use copy Restrictions unspecified star MiAaHDL

Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL

Print version record.

English.

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