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Film production theory / Jean-Pierre Geuens.

By: Material type: TextTextSeries: SUNY series, cultural studies in cinema/videoPublication details: Albany, N.Y. : State University of New York Press, �2000.Description: 1 online resource (ix, 308 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 0585316341
  • 9780585316345
Subject(s): Genre/Form: Additional physical formats: Print version:: Film production theory.DDC classification:
  • 791.43/0232 21
LOC classification:
  • PN1995.9.P7 .G437 2000
Online resources:
Contents:
Cinema: the state of the art -- Art/entertainment -- The film school -- Writing -- Staging -- Lighting -- The frame -- Sound -- Editing -- Envoi.
Review: "Most serious film books during the last twenty years have focused on theoretical issues, film history, or film analyses, leaving production to the side. This text, however, appropriate for film production courses, fills that void, opening the production process to pertinent, argumentative notions and incorporating material from Heidegger, Merleau-Ponty, and Derrida, among others. Although Geuens covers screenwriting, lighting, staging, and framing, among other production issues, he avoids the strictly vocational or "professional" approach to film teaching currently applied to most production courses."--Print version book jacket.
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Includes bibliographical references (pages 261-299) and index.

Cinema: the state of the art -- Art/entertainment -- The film school -- Writing -- Staging -- Lighting -- The frame -- Sound -- Editing -- Envoi.

"Most serious film books during the last twenty years have focused on theoretical issues, film history, or film analyses, leaving production to the side. This text, however, appropriate for film production courses, fills that void, opening the production process to pertinent, argumentative notions and incorporating material from Heidegger, Merleau-Ponty, and Derrida, among others. Although Geuens covers screenwriting, lighting, staging, and framing, among other production issues, he avoids the strictly vocational or "professional" approach to film teaching currently applied to most production courses."--Print version book jacket.

Print version record.

English.

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