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Musical networks : parallel distributed perception and performance / edited by Niall Griffith and Peter M. Todd.

Contributor(s): Material type: TextTextSeries: Bradford Book SerCopyright date: �1999Description: 1 online resource (xv, 385 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 0585133204
  • 9780585133201
  • 9780262274319
  • 0262274310
Subject(s): Genre/Form: Additional physical formats: Print version:: Musical networks.DDC classification:
  • 781/.11 21
LOC classification:
  • ML3838 .M955 1999eb
Online resources:
Contents:
Modelling pitch perception with adaptive resonance theory artificial neural networks / Ian Taylor & Mike Greenhough -- Development of tonal centres and abstract pitch as categorizations of pitch use / Niall Griffith -- Understanding musical sound with forward models and physical models / Michael A. Casey -- Resonance and the perception of musical meter / Edward W. Large & John F. Kolen -- Modelling musical perception : a critical view / Stephen W. Smoliar -- Reply to S.W. Smoliar's 'Modelling Musical Perception : A Critical View' / Peter Desain & Henkjan Honing -- Pitch-based streaming in auditory perception / Stephen Grossberg -- Apparent motion in music? / Robert O. Gjerdingen -- Modelling the perception of musical sequences with self-organizing neural networks / Michael P.A. Page -- Ear for melody / Bruce F. Katz -- Neural network music composition by prediction : exploring the benefits of psychoacoustic contraints and multi-scale processing / Michael C. Mozer -- Harmonizing music the Boltzmann way / Matthew I. Bellgard & C.P. Tsang -- Reduced memory representations for music / Edward W. Large, Caroline Palmer & Jordan B. Pollack -- Frankensteinian methods for evolutionary music composition / Peter M. Todd & Gregory M. Werner -- Towards automated artificial evolution for computer-generated images / Shumeet Baluja, Dean Pomerleau & Todd Jochem -- Connectionist air guitar : a dream come true / Garrison W. Cottrell.
Review: "This volume presents the most up-to-date collection of neural network models of music and creativity gathered together in one place. Chapters by leaders in the field cover new connectionist models of pitch perception, tonality, musical streaming, sequential and hierarchical melodic structure, composition, harmonization, rhythmic analysis, sound generation, and creative evolution."--Jacket.
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"A Bradford book."

Includes bibliographical references (pages 373-382).

Modelling pitch perception with adaptive resonance theory artificial neural networks / Ian Taylor & Mike Greenhough -- Development of tonal centres and abstract pitch as categorizations of pitch use / Niall Griffith -- Understanding musical sound with forward models and physical models / Michael A. Casey -- Resonance and the perception of musical meter / Edward W. Large & John F. Kolen -- Modelling musical perception : a critical view / Stephen W. Smoliar -- Reply to S.W. Smoliar's 'Modelling Musical Perception : A Critical View' / Peter Desain & Henkjan Honing -- Pitch-based streaming in auditory perception / Stephen Grossberg -- Apparent motion in music? / Robert O. Gjerdingen -- Modelling the perception of musical sequences with self-organizing neural networks / Michael P.A. Page -- Ear for melody / Bruce F. Katz -- Neural network music composition by prediction : exploring the benefits of psychoacoustic contraints and multi-scale processing / Michael C. Mozer -- Harmonizing music the Boltzmann way / Matthew I. Bellgard & C.P. Tsang -- Reduced memory representations for music / Edward W. Large, Caroline Palmer & Jordan B. Pollack -- Frankensteinian methods for evolutionary music composition / Peter M. Todd & Gregory M. Werner -- Towards automated artificial evolution for computer-generated images / Shumeet Baluja, Dean Pomerleau & Todd Jochem -- Connectionist air guitar : a dream come true / Garrison W. Cottrell.

Print version record.

"This volume presents the most up-to-date collection of neural network models of music and creativity gathered together in one place. Chapters by leaders in the field cover new connectionist models of pitch perception, tonality, musical streaming, sequential and hierarchical melodic structure, composition, harmonization, rhythmic analysis, sound generation, and creative evolution."--Jacket.

English.

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