Virgil as Orpheus : a study of the Georgics / M. Owen Lee.

By:

Lee, M. Owen, 1930-2019

Material type: Text

TextSeries: SUNY series in classical studiesPublication details: Albany : State University of New York Press, �1996.Description: 1 online resource (xiv, 171 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

0585059217
9780585059211

Subject(s): Genre/Form:

Additional physical formats: Print version:: Virgil as Orpheus.DDC classification:

873/.01 20

LOC classification:

PA6804.G4 L44 1996eb

Other classification:

18.46

Online resources:

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Action note:

digitized 2010 committed to preserve

Summary: Though John Dryden once called the Georgics "the best Poem of the best Poet," and Montaigne thought it the most highly finished work in all of poetry, Virgil's song of the earth has never won as many readers as has his Aeneid, and at present it is the subject of more debate among classicists than perhaps any other poem in Latin. Using a Jungian approach, this book draws on the new commentaries in English as well as on the work of the great German Virgilians of the past, and is written in the eloquent, accessible, and personal style for which its author has become known. It outlines clearly the literary and historical background of the poem, discusses the sound of Virgil's hexameters, and treats each of the four georgics in detail, with special emphasis on the concluding myth of Orpheus. The most baffling of all Latin poems is shown in these pages to be Virgil's gift to Augustus, the most powerful man in the world as the salvational leader of the renewed Roman state, telling him what he must know about nature and about human nature if he is to rule the world well.

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Includes bibliographical references (pages 161-165) and index.

Print version record.

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Though John Dryden once called the Georgics "the best Poem of the best Poet," and Montaigne thought it the most highly finished work in all of poetry, Virgil's song of the earth has never won as many readers as has his Aeneid, and at present it is the subject of more debate among classicists than perhaps any other poem in Latin. Using a Jungian approach, this book draws on the new commentaries in English as well as on the work of the great German Virgilians of the past, and is written in the eloquent, accessible, and personal style for which its author has become known. It outlines clearly the literary and historical background of the poem, discusses the sound of Virgil's hexameters, and treats each of the four georgics in detail, with special emphasis on the concluding myth of Orpheus. The most baffling of all Latin poems is shown in these pages to be Virgil's gift to Augustus, the most powerful man in the world as the salvational leader of the renewed Roman state, telling him what he must know about nature and about human nature if he is to rule the world well.

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