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Indiscretions : avant-garde film, video & feminism / Patricia Mellencamp.

By: Material type: TextTextSeries: Theories of contemporary culture ; v. 12.Publication details: Bloomington : Indiana University Press, �1990.Description: 1 online resource (xix, 234 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 0585023735
  • 9780585023731
Subject(s): Genre/Form: Additional physical formats: Print version:: Indiscretions.DDC classification:
  • 791.43/0973/09047 20
LOC classification:
  • PN1995.9.E96 M45 1990eb
Other classification:
  • 24.34
  • AP 47950
Online resources:
Contents:
Historically speaking -- Visionary film and sexual difference -- Video politics -- Surveillance and simulation -- Theoretical objects -- Postmodern TV -- Uncanny feminism -- Last scene in the streets of modernism -- Taking a cue from Ariadne -- Images of language and indiscreet dialogues -- The avant-garde, the everyday, and the underground.
Action note:
  • digitized 2010 committed to preserve
Summary: Indiscretions follows the path of U.S. avant-garde film and video from the underground of the 1960s to the academy of the 1980s. Patricia Mellencamp traces and charts the intersections of Lacanian psychoanalysis and the desiring male subject, Roland Barthes and texts of pleasure, Michel Foucault and the disciplinary society, the grotesque body and Mikhail Bakhtin, the rhizomatic alogic of Gilles Deleuze and Felix Guattari, and the female subject of feminist film theory. She creates a dialogue among theory and popular culture and politics through inventive readings of the films of Owen Land, Hollis Frampton, Ken Jacobs, Bruce Conner, Robert Nelson, Michael Snow, Yvonne Rainer, and Sally Potter, and videotapes by Ant Farm, TVTV, Michael Smith, William Wegman, and Cecelia Condit.
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Includes bibliographical references (pages 215-231) and index.

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Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

digitized 2010 HathiTrust Digital Library committed to preserve MiAaHDL pda

Print version record.

Historically speaking -- Visionary film and sexual difference -- Video politics -- Surveillance and simulation -- Theoretical objects -- Postmodern TV -- Uncanny feminism -- Last scene in the streets of modernism -- Taking a cue from Ariadne -- Images of language and indiscreet dialogues -- The avant-garde, the everyday, and the underground.

Indiscretions follows the path of U.S. avant-garde film and video from the underground of the 1960s to the academy of the 1980s. Patricia Mellencamp traces and charts the intersections of Lacanian psychoanalysis and the desiring male subject, Roland Barthes and texts of pleasure, Michel Foucault and the disciplinary society, the grotesque body and Mikhail Bakhtin, the rhizomatic alogic of Gilles Deleuze and Felix Guattari, and the female subject of feminist film theory. She creates a dialogue among theory and popular culture and politics through inventive readings of the films of Owen Land, Hollis Frampton, Ken Jacobs, Bruce Conner, Robert Nelson, Michael Snow, Yvonne Rainer, and Sally Potter, and videotapes by Ant Farm, TVTV, Michael Smith, William Wegman, and Cecelia Condit.

English.

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