Twentieth century design / Jonathan M. Woodham.
Material type: TextSeries: Oxford history of artPublication details: Oxford : Oxford University Press, 1997.Description: 288 p. : ill. ; 25 cmISBN:- 9780192842046 (pbk.)
- 0192842048 (pbk.)
- 745.2/09/04 21
Item type | Current library | Home library | Collection | Shelving location | Call number | Status | Date due | Barcode | Item holds |
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Open Collection | FIRST CITY UNIVERSITY COLLEGE | FIRST CITY UNIVERSITY COLLEGE | Open Collection | FCUC Library | 745.40904 WOO 1997 (Browse shelf(Opens below)) | Available | 00022642 | ||
Open Collection | FIRST CITY UNIVERSITY COLLEGE | FIRST CITY UNIVERSITY COLLEGE | Open Collection | FCUC Library | 745.40904 WOO 1997 (Browse shelf(Opens below)) | Available | 00022643 |
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745.4083 DES 2003 Design for kids / | 745.409 HES 1980 Industrial design / | 745.40904 WOO 1997 Twentieth century design / | 745.40904 WOO 1997 Twentieth century design / | 745.409051 BRI 2003 Bright minds, beautiful ideas : | 745.409051 EVA 2008 Cool hunting green / | 745.409051 GLO 2010 Global design : |
Includes bibliographical references and index.
Summary: The most famous designs of the twentieth century are not those in museums, but in the marketplace. The Coca-Cola bottle and the McDonald's logo are known all over the world, and designs such as the modernist 'Frankfurt Kitchen' of 1924, the 1954 streamlined and tail-finned Oldsmobile, or 'Blow', the inflatable chair ubiquitous in the late 1960s, tell us more about our culture than a narrowly-defined canon of classics.
Drawing on the most up-to-date scholarship (not only in design history but also in social anthropology and women's history), Jonathan M. Woodham takes a fresh look at the wider issues of design and industrial culture throughout Europe, Scandinavia, North America, and the Far East. He explores themes such as national identity, the 'Americanization' of ideology and business methods, the rise of the multi-nationals, Pop and Postmodernism, and contemporary ideas of nostalgia and heritage. In the history which emerges design is clearly seen for what it is: the powerful and complex expression of aesthetic, social, economic, political, and technological forces.