Walker Evans & company / Peter Galassi.

By:

Galassi, Peter

Contributor(s):

Museum of Modern Art (New York, N.Y.)

Material type: Text

TextPublication details: New York : Museum of Modern Art : Distributed by H.N. Abrams, c2000.Description: 271 p. : ill. (some col.) ; 30 cmISBN:

0870700367

Other title:

Walker Evans and company

Review: "At the heart of this book lies the work of the great American photographer Walker Evans, who radically expanded the possibilities of photography as an art. Photographers before Evans had certainly conceived of their pictures as art, but in order to make that claim they had most often aimed at a cultivated visual style that would advertise its differences from the vast mass of reportorial and vernacular photography. Evan's work of the late 1920s and 1930s, however, was direct and plainspoken, conclusively demonstrating how richly articulate and challenging a photograph could become by affecting no more than a hard, clear, observant gaze at the world beyond the lens." "Evans is the moving force of Walker Evans & Company, but the book, which presents over 300 works, in photography and other mediums, by over 100 artists, has a larger subject: it is a generously expansive study of a diverse, long-lived visual tradition. Beginning with the great influences on Evans - American vernacular photography, and the work of the Europeans Eugene Atget and August Sander - Peter Galassi goes on to chart Evan's own influence on later generations of artists. That influence may be direct, or roundabout; it may also be a question less of a definite lineage than of a general inheritance, a shared focus of interest or mode of approach."--BOOK JACKET.

Average rating: 0.0 (0 votes)

Holdings ( 1 )
Title notes ( 6 )

Holdings
Item type	Current library	Home library	Collection	Shelving location	Call number	Status	Date due	Barcode	Item holds
Open Collection	FIRST CITY UNIVERSITY COLLEGE	FIRST CITY UNIVERSITY COLLEGE	Open Collection	FCUC Library	779.1 GAL 2000 (Browse shelf(Opens below))	Available		00012942

Total holds: 0

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Catalog of an exhibition held Mar. 16-July 26, 2000.

"Under the banner MoMA2000, The Museum of Modern Art has engaged in a wide ranging exploration of modern art through its own collections, in the form of a series of exhibitions, publications, and other initiatives over a seventeen-month period from the fall of 1999 to early 2001. Walker Evans & Company is part of the second of the three cycles that constitute this ambitious project. Titled Making Choices, this cycle focuses on the years between 1920 and 1960"--P. 6.

"Walker Evans & Company aims to encourage curiosity about a crucial innovation within the tradition of modernist photography that took shape in the 1920s and 1930s"--P. 7.

Includes bibliographical references (p. 269-270) and index of artists.

"At the heart of this book lies the work of the great American photographer Walker Evans, who radically expanded the possibilities of photography as an art. Photographers before Evans had certainly conceived of their pictures as art, but in order to make that claim they had most often aimed at a cultivated visual style that would advertise its differences from the vast mass of reportorial and vernacular photography. Evan's work of the late 1920s and 1930s, however, was direct and plainspoken, conclusively demonstrating how richly articulate and challenging a photograph could become by affecting no more than a hard, clear, observant gaze at the world beyond the lens." "Evans is the moving force of Walker Evans & Company, but the book, which presents over 300 works, in photography and other mediums, by over 100 artists, has a larger subject: it is a generously expansive study of a diverse, long-lived visual tradition. Beginning with the great influences on Evans - American vernacular photography, and the work of the Europeans Eugene Atget and August Sander - Peter Galassi goes on to chart Evan's own influence on later generations of artists. That influence may be direct, or roundabout; it may also be a question less of a definite lineage than of a general inheritance, a shared focus of interest or mode of approach."--BOOK JACKET.

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