MARC details
000 -LEADER |
fixed length control field |
02208nam a2200253 a 4500 |
001 - CONTROL NUMBER |
control field |
vtls000004017 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
MY-PjKIC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20200206145144.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
100211t2000 000 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0262133628 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
0262133628 |
039 #9 - LEVEL OF BIBLIOGRAPHIC CONTROL AND CODING DETAIL [OBSOLETE] |
Level of rules in bibliographic description |
201603141108 |
Level of effort used to assign nonsubject heading access points |
faridah7 |
Level of effort used to assign subject headings |
201002111742 |
Level of effort used to assign classification |
VLOAD |
Level of effort used to assign subject headings |
201002111559 |
Level of effort used to assign classification |
VLOAD |
-- |
201002111414 |
-- |
VLOAD |
090 ## - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (RLIN) |
Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) |
725.910944361 MOR |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Morton, P. A. |
245 10 - TITLE STATEMENT |
Title |
Hybrid modernities : |
Remainder of title |
architecture and representation at the 1931 Colonial Exposition, Paris / |
Statement of responsibility, etc. |
Patricia A. Morton. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
Cambridge, Mass. : |
Name of publisher, distributor, etc. |
MIT Press, |
Date of publication, distribution, etc. |
2000. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
380 p. : |
Other physical details |
ill. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references and index. |
520 1# - SUMMARY, ETC. |
Summary, etc. |
"The 1931 International Colonial Exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The Exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient" - the site of rampant sensuality, decadence, and irrationality - and as the laboratory of Western rationality. In Hybrid Modernities, Patricia Morton shows how the Exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture." "Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the Colonial Exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced."--BOOK JACKET. |
592 ## - |
-- |
100242 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Exhibition buildings |
Geographic subdivision |
France |
-- |
Paris |
General subdivision |
History |
Chronological subdivision |
20th century. |
651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
Geographic name |
France |
General subdivision |
Colonies |
-- |
Exhibitions. |