000 | 04054cam a2200565Ma 4500 | ||
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001 | ocn956620744 | ||
003 | OCoLC | ||
005 | 20200827122635.0 | ||
006 | m o d | ||
007 | cr |||||||nn|n | ||
008 | 160401s2016 mdu ob 001 0 eng d | ||
040 |
_aP@U _beng _epn _cP@U _dOCLCO _dN$T _dOCLCO _dEBLCP _dOCLCF _dOCLCO _dYDX _dCCO _dOCLCQ _dIDB _dOTZ _dOCLCQ _dUAB _dMERUC _dOCLCQ _dSNK _dDKU _dINTCL _dIGB _dD6H _dAGLDB _dWRM _dOCLCQ _dVTS _dOCLCQ _dG3B _dS8J _dS9I _dSTF _dAU@ _dOCLCQ |
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019 |
_a956749727 _a959328823 _a959591826 _a959867825 _a960091370 _a960277066 _a960708344 _a960833196 _a976092907 _a976305973 _a1007415478 |
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020 |
_a9781421420882 _q(electronic bk.) |
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020 |
_a1421420880 _q(electronic bk.) |
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020 |
_z9781421420875 _q(hardcover ; _qalk. paper) |
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020 |
_z1421420872 _q(hardcover ; _qalk. paper) |
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029 | 1 |
_aAU@ _b000058846166 |
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035 |
_a(OCoLC)956620744 _z(OCoLC)956749727 _z(OCoLC)959328823 _z(OCoLC)959591826 _z(OCoLC)959867825 _z(OCoLC)960091370 _z(OCoLC)960277066 _z(OCoLC)960708344 _z(OCoLC)960833196 _z(OCoLC)976092907 _z(OCoLC)976305973 _z(OCoLC)1007415478 |
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043 | _an-us--- | ||
050 | 4 |
_aPS379 _b.W498 2016 |
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072 | 7 |
_aLIT _x004020 _2bisacsh |
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082 | 0 | 4 |
_a813/.5409 _223 |
049 | _aMAIN | ||
100 | 1 |
_aWilkens, Matthew, _d1974- _eauthor. _0http://id.loc.gov/authorities/names/no2007132310 |
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245 | 1 | 0 |
_aRevolution : _bthe event in postwar fiction / _cMatthew Wilkens. |
260 |
_aBaltimore : _bJohns Hopkins University Press, _c2016. |
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300 | _a1 online resource | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aIntroduction -- The structure of literary revolutions -- Allegory -- Event -- The encyclopedia as object and metaphor -- Failure and novelty in postwar fiction -- Allegory, encyclopedism, and postwar america -- Ellison's impure manifesto -- Integration and disorder in The golden notebook. | |
588 | 0 | _aPrint version record. | |
520 | 8 | _aSocially, politically, and artistically, the 1950s make up an odd interlude between the first half of the twentieth century-still tied to the problems and orders of the Victorian era and Gilded Age-and the pervasive transformations of the later sixties. In Revolution, Matthew Wilkens argues that postwar fiction functions as a fascinating model of revolutionary change. Uniting literary criticism, cultural analysis, political theory, and science studies, Revolution reimagines the years after World War II as at once distinct from the decades surrounding them and part of a larger-scale series of rare, revolutionary moments stretching across centuries. Focusing on the odd mix of allegory, encyclopedism, and failure that characterizes fifties fiction, Wilkens examines a range of literature written during similar times of crisis, in the process engaging theoretical perspectives from Walter Benjamin and Fredric Jameson to Bruno Latour and Alain Badiou alongside readings of major novels by Ralph Ellison, William Gaddis, Doris Lessing, Jack Kerouac, Thomas Pynchon, and others. | |
590 |
_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide |
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650 | 0 |
_aAmerican fiction _y20th century _xHistory and criticism. |
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650 | 7 |
_aLITERARY CRITICISM _xAmerican _xGeneral. _2bisacsh |
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650 | 7 |
_aAmerican fiction. _2fast _0(OCoLC)fst00807048 |
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648 | 7 |
_a1900-1999 _2fast |
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655 | 4 | _aElectronic books. | |
655 | 7 |
_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
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776 | 0 | 8 |
_iPrint version: _aWilkens, Matthew, 1974- _tRevolution. _dBaltimore : Johns Hopkins University Press, 2016 _w(DLC) 2016002108 |
856 | 4 | 0 | _uhttps://libproxy.firstcity.edu.my:8443/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1220096 |
938 |
_aEBL - Ebook Library _bEBLB _nEBL4531490 |
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938 |
_aEBSCOhost _bEBSC _n1220096 |
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938 |
_aProject MUSE _bMUSE _nmuse53223 |
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938 |
_aYBP Library Services _bYANK _n13120379 |
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994 |
_a92 _bMYFCU |
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999 |
_c56203 _d56203 |