000 | 05686cam a22006258i 4500 | ||
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001 | ocn956342136 | ||
003 | OCoLC | ||
005 | 20200827122440.0 | ||
006 | m o d | ||
007 | cr ||||||||||| | ||
008 | 160912s2016 ne o 000 0 eng | ||
010 | _a 2016042106 | ||
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_aDLC _beng _erda _epn _cDLC _dYDXCP _dOCLCO _dOCLCA _dOCLCF _dLGG _dOCLCA _dOCLCQ _dOCLCO _dEBLCP _dESU _dOCLCA _dOCLCQ _dN$T _dLEAUB _dOCLCQ _dUKSSU |
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_a9004324356 _q(E-book) |
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_a9789004324350 _q(electronic bk.) |
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_z9789004324343 _q(hardback ; _qalk. paper) |
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020 | _z9004324348 | ||
035 | _a(OCoLC)956342136 | ||
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072 | 7 |
_aPER _x009000 _2bisacsh |
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_a791.43 _223 |
049 | _aMAIN | ||
245 | 0 | 0 |
_aNeo-Baroques : _bfrom Latin America to the Hollywood Blockbuster / _cedited by Walter Moser, Angela Ndalianis, Peter Krieger. |
263 | _a1609 | ||
264 | 1 |
_aLeiden ; _aBoston : _bBrill Rodopi, _c[2016] |
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300 | _a1 online resource | ||
336 |
_atext _btxt _2rdacontent |
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_acomputer _bn _2rdamedia |
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_aonline resource _bnc _2rdacarrier |
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490 | 0 |
_aPostmodern studies ; _vv. 55 |
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588 | 0 | _aPrint version record and CIP data provided by publisher; resource not viewed. | |
505 | 0 | 0 |
_tPreliminary Material / _rWalter Moser , Angela Ndalianis and Peter Krieger -- _tIntroduction / _rWalter Moser -- _tIntroduction to Part 1 / _rWalter Moser -- _tMeditations on the Baroque / _rBol�ivar Echeverr�ia and Mar�ia Jos�e Gim�enez -- _tReconsidering Metatheatricality: Towards a Baroque Understanding of Postdramatic Theatre / _rKarel Vanhaesebrouck -- _tFabricating Film -- The Neo-Baroque Folds of Claire Denis / _rSaige Walton -- _tBaroque Affinities: W�olfflin, Visconti, the Baroque and the Films of Glauber Rocha / _rRita Eder -- _tArtist's Essay -- The Neo-Baroque and Complexity / _rRichard Reddaway -- _tIntroduction to Part 2 / _rAngela Ndalianis -- _tAfro-Caribbean Belief Systems and the Neo-Baroque Novel: The Duel of Faiths in Alejo Carpentier's El reino de este mundo and Ludic Voodoo in Alfonso Quijada Ur�ias's Lujuria tropical / _rHugh Hazelton -- _tTemporal and Local Transfers: The Neo-Baroque between Politics, Religion and Entertainment / _rJens Baumgarten -- _tThe Religious Shines through: Religious Remnants and Resurgences in 90s Cinema / _rWalter Moser -- _tArtist's Essay: Towers, Shipwrecks, and Neo-Baroque Allegories / _rPatrick Mahon -- _tIntroduction to Part 3 / _rPeter Krieger -- _tSymbolic Dimensions and Cultural Functions of the Neo-Baroque Balustrade in Contemporary Mexico City: An Alternative Learning from Las Vegas / _rPeter Krieger -- _tMexico City's Dissonant Modernity and the Marketplace Baroque: Salvador Novo's Nueva grandeza mexicana and Bernardo de Balbuena's La grandeza mexicana / _rMonika Kaup -- _tBaroque Theatricality and Scripted Spaces: From Movie Palace to Las Vegas Casinos / _rAngela Ndalianis -- _tArtist's Essay: Post-digital Neo-Baroque: Reinterpreting Baroque Reality and Beauty in Contemporary Architectural Design / _rMarjan Colletti -- _tIndex / _rWalter Moser , Angela Ndalianis and Peter Krieger. |
520 | _aThe Baroque is back in contemporary culture. The ten essays authored by international scholars, and three interventions by artists, examine the return of the baroque as Neo-Baroque through interdisciplinary perspectives. Understanding the Neo-Baroque as transcultural (between different cultures) and transhistorical (between historical moments) the contributors to this volume offer diverse perspectives that suggest the slipperiness of the Neo-Baroque may best be served by the term 'Neo-Baroques'. Case studies analysed reflect this plurality and include: the productions of Belgian theatre company Abattoir Ferm�e; Claire Denis' French New Extremist film Trouble Every Day ; the novel Lujuria tropical by exiled El Salvadorian Quijada Urias; the science fiction blockbuster spectacles The Matrix and eXistenZ; and the spectacular grandeur of early Hollywood movie palaces and the contemporary Las Vegas Strip. Contributors: Jens Baumgarten, Marjan Colletti, Bol�ivar Echeverr�ia, Rita Eder, Hugh Hazelton, Monika Kaup, Peter Krieger, Patrick Mahon, Walter Moser, Angela Ndalianis, Richard Reddaway, Karel Vanhaesebrouck, Saige Walton. | ||
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_aMotion pictures. _0http://id.loc.gov/authorities/subjects/sh85088084 |
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_aCivilization, Baroque. _0http://id.loc.gov/authorities/subjects/sh85026446 |
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_aArt, Baroque _xInfluence. |
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_aPERFORMING ARTS _xReference. _2bisacsh |
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_aCivilization, Baroque. _2fast _0(OCoLC)fst00862985 |
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_aMotion pictures. _2fast _0(OCoLC)fst01027285 |
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_aMoser, Walter, _d1942- _eeditor. _0http://id.loc.gov/authorities/names/n90615044 |
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_aNdalianis, Angela, _d1960- _eeditor. _0http://id.loc.gov/authorities/names/n2001035762 |
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_aKrieger, Peter, _d1961- _eeditor. _0http://id.loc.gov/authorities/names/n2016049549 |
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_iPrint version: _tNeo-Baroques. _dLeiden ; Boston : Brill Rodopi, [2016] _z9789004324343 _w(DLC) 2016028030 |
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