000			06298cam a22008778i 4500
001			ocn951847710
003			OCoLC
005			20200827120643.0
006			m o d
007			cr un|||||||||
008			160609s2016 quca ob 001 0 eng
040			_aNLC _beng _erda _epn _cNLC _dN$T _dCELBN _dTOH _dTEFOD _dYDX _dOTZ _dAUW _dSNK _dINTCL _dBTN _dEBLCP _dIGB _dD6H _dCAUOI _dMERUC _dIDB _dNLC _dOCLCO _dOCLCF _dVTS _dCEF _dOCLCQ _dG3B _dS8J _dSTF _dCNLAK _dCNTRU _dM8D _dOCLCQ
016			_a(AMICUS)000044559457
019			_a962010990
020			_a9780773599864 _q(pdf)
020			_a077359986X
020			_z9780773548114
020			_z0773548114
020			_z9780773548121
020			_z0773548122
029	0		_aNLC _b000044559457
029	0		_aNLC _b20169038742
029	1		_aAU@ _b000060762141
035			_a(OCoLC)951847710 _z(OCoLC)962010990
037			_aC3E73F35-C70E-4FB5-9EE5-5803D239C681 _bOverDrive, Inc. _nhttp://www.overdrive.com
043			_an-cn-ns
050		4	_aNK842.N69 _bM67 2016eb
055		0	_aNK842 N69 _bM67 2016
072		7	_aART _x013000 _2bisacsh
072		7	_aCRA _x047000 _2bisacsh
082	0	4	_a745.0971609/045 _223
084			_acci1icc _2lacc
084			_acoll13 _2lacc
049			_aMAIN
100	1		_aMorton, Erin, _d1981- _eauthor. _0http://id.loc.gov/authorities/names/no2014147414
245	1	0	_aFor folk's sake : _bart and economy in twentieth-century Nova Scotia / _cErin Morton.
263			_a1611
264		1	_aMontreal ; _aKingston ; _aLondon ; _aChicago : _bMcGill-Queen's University Press, _c2016.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aMcGill-Queen's/Beaverbrook Canadian Foundation studies in art history
504			_aIncludes bibliographical references and index.
520			_a"Folk art emerged in twentieth-century Nova Scotia not as an accident of history, but in tandem with cultural policy developments that shaped art institutions across the province between 1967 and 1997. For Folk's Sake charts how woodcarvings and paintings by well-known and obscure self-taught makers--and their connection to handwork, local history, and place--soothed the public's nostalgia for a simpler past. Addressing modernism as it pertains to the genealogy of folk art and late twentieth-century crises in capitalism, Erin Morton places artists like Maud Lewis and Collins Eisenhauer within histories of cultural and economic development in the province. Engaging the national and transnational developments that moulded public and academic criteria, she examines the ways in which a conceptual category took concrete, material form. As folk art entered the public collection of the Art Gallery of Nova Scotia and the private collections of professors at the Nova Scotia College of Art and Design, it evolved under the direction of collectors and curators who sought it according to a particular modernist aesthetic language."-- _cProvided by publisher.
520			_a"Illustrated with over seventy images, For Folk's Sake interrogates the emotive pull of folk art to radically reconstruct the relationships that emerged between relatively impoverished self-taught artists, a new brand of middle-class collector, and academically trained professors and curators in Nova Scotia's most important art institutions."-- _cProvided by publisher.
505	0		_aINTRODUCTION 1 The Historical Presentism of Folk Art -- 2 A Genealogy of Folk Art in Canada: Nostalgia and the Ancestry of Modern Art.
505	8		_aPART ONE Art Institutions and the Institutionalization of Folk Art. 3 "Behind ThoseWeathered Doors": Chris Huntington, the Art Gallery of Nova Scotia, and the Institutionalization of the Folkloric Future -- 4 Teaching the Self-Taught: Collins Eisenhauer, the Nova Scotia College of Art and Design, and the Art-World Economies of Folk Art -- 5 "Tales of These Halcyon Days": The Centralized Decentralization of Regional Culture Making.
505	8		_aPART TWO Maud Lewis and the Social Aesthetics ofthe Everyday. 6 Ordinary Affects: Public History, Maud Lewis, and the Cultural Object of Optimism in Rural Nova Scotia -- 7 Commemorative Expectations: The Community-CorporateModel of the Maud Lewis Painted House Preservation -- 8 Art Works: TheMaud Lewis Authority, Tourism, and Neoliberal Copyright.
590			_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide
650		0	_aFolk art _zNova Scotia _xHistory _y20th century.
650		0	_aFolk art _xEconomic aspects _zNova Scotia _xHistory _y20th century.
650		0	_aFolk artists _xHistory _y20th century.
650		0	_aFolk artists _zNova Scotia _xEconomic conditions _y20th century.
651		0	_aNova Scotia _xCultural policy _xHistory _y20th century.
651		0	_aNova Scotia _xEconomic conditions _y20th century.
650		7	_aART _xFolk & Outsider Art. _2bisacsh
650		7	_aCRAFTS & HOBBIES _xFolkcrafts. _2bisacsh
650		7	_aCultural policy. _2fast _0(OCoLC)fst00885007
650		7	_aEconomic history. _2fast _0(OCoLC)fst00901974
650		7	_aFolk art. _2fast _0(OCoLC)fst00928587
650		7	_aFolk art _xEconomic aspects. _2fast _0(OCoLC)fst00928594
650		7	_aFolk artists. _2fast _0(OCoLC)fst00928633
651		7	_aNova Scotia. _2fast _0(OCoLC)fst01206030
648		7	_a1900-1999 _2fast
655		4	_aElectronic books.
655		7	_aHistory. _2fast _0(OCoLC)fst01411628
776	1		_aMorton, Erin, 1981- _tFor folk's sake.: _dMontreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, [2016] �2016 _kMcGill-Queen's/Beaverbrook Canadian Foundation studies in art history _kMcGill-Queen's/Beaverbrook Canadian Foundation studies in art history _w(CaOONL)20169038734 _w(OCoLC)951848055
830		0	_aMcGill-Queen's/Beaverbrook Canadian Foundation studies in art history. _0http://id.loc.gov/authorities/names/no2009036808
856	4	0	_uhttps://libproxy.firstcity.edu.my:8443/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1359392
938			_aCanadian Electronic Library _bCELB _n451697
938			_aEBL - Ebook Library _bEBLB _nEBL5264578
938			_aEBSCOhost _bEBSC _n1359392
938			_aYBP Library Services _bYANK _n13244215
994			_a92 _bMYFCU
999			_c54433 _d54433