000 | 03838cam a2200685Mi 4500 | ||
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001 | ocn948780743 | ||
003 | OCoLC | ||
005 | 20200827115252.0 | ||
006 | m o d | ||
007 | cr |n||||||||| | ||
008 | 150123t20152015enka ob 001 0 eng d | ||
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_aIDEBK _beng _erda _epn _cIDEBK _dOCLCO _dOCLCF _dOCLCO _dOCLCQ _dOCLCO _dN$T _dYDX _dERL _dAGLDB _dICA _dOCLCQ _dU3W _dOCLCQ _dUKAHL |
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020 |
_a0857726706 _q(electronic bk.) |
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020 |
_a9780857726704 _q(electronic bk.) |
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020 | _z1780765541 | ||
020 | _z9781780765549 | ||
029 | 1 |
_aDEBSZ _b489855830 |
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_aAU@ _b000062510296 |
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035 |
_a(OCoLC)948780743 _z(OCoLC)965140625 _z(OCoLC)965745381 _z(OCoLC)1111377832 |
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_a919246 _bMIL |
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050 | 4 |
_aPN1993.5.U38 _bF57 2015eb |
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072 | 7 |
_aPER _x009000 _2bisacsh |
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082 | 0 | 4 |
_a791.4309477 _223 |
049 | _aMAIN | ||
100 | 1 |
_aFirst, Joshua, _eauthor. |
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245 | 1 | 0 |
_aUkrainian cinema : _bbelonging and identity during the Soviet thaw / _cJoshua First. |
264 | 1 |
_aLondon ; _aNew York : _bI.B. Tauris, _c2015. |
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264 | 4 | _c�2015 | |
300 |
_a1 online resource (xii, 251 pages) : _billustrations. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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490 | 1 |
_aKINO, the Russian and Soviet cinema series ; _v13 |
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504 | _aIncludes bibliographical references (pages 228-235) and index. | ||
588 | 0 | _aPrint version record. | |
505 | 0 | _aStalinism, de-Stalinization and the Ukrainian in Soviet cinema -- Rebuilding a national studio during the early 1960s -- Sergei Paradjanov's Carpathian journey -- Paradjanov and the problem of film authorship -- 'Ukrainian poetic cinema' and the construction of 'Dovzhenko's traditions' -- Making national cinema in the era of stagnation -- 'Ukrainian poetic cinema' between the communist party and film audiences -- Conclusion: Ukrainian cinema and the limitations of national expression. | |
520 | 8 |
_aHistorian Joshua First explores the politics and aesthetics of Ukrainian Poetic Cinema during the Soviet 1960s-70s. _b'Ukrainian Cinema' during the Soviet thaw is the first concentrated study of Ukrainian cinema in English. In particular, historian Joshua First explores the politics and aesthetics of Ukrainian poetic cinema during the Soviet 1960s-70s. He argues that filmmakers working at the Alexander Dovzhenko Feature Film Studio in Kiev were obsessed with questions of identity and demanded that the Soviet film industry and audiences alike recognize Ukrainian cultural difference. |
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590 |
_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide |
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650 | 0 |
_aMotion pictures _zUkraine _xHistory _y20th century. |
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650 | 0 |
_aMotion pictures _zSoviet Union _xHistory _y20th century. |
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650 | 7 |
_aPERFORMING ARTS / Reference _2bisacsh |
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650 | 7 |
_aMotion pictures. _2fast _0(OCoLC)fst01027285 |
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651 | 7 |
_aSoviet Union. _2fast _0(OCoLC)fst01210281 |
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651 | 7 |
_aUkraine. _2fast _0(OCoLC)fst01211738 |
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650 | 7 |
_aPerforming Arts. _2ukslc |
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_a1900-1999 _2fast |
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655 | 4 | _aElectronic books. | |
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_aHistory. _2fast _0(OCoLC)fst01411628 |
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_iPrint version: _z9780857726704 |
830 | 0 |
_aKINO, the Russian cinema series. _0http://id.loc.gov/authorities/names/no99014008 |
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856 | 4 | 0 | _uhttps://libproxy.firstcity.edu.my:8443/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1428780 |
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_aProQuest MyiLibrary Digital eBook Collection _bIDEB _ncis34535962 |
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