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| 049 | _aMAIN | ||
| 100 | 1 | _a�Alvarez, Iv�an Villarmea. | |
| 245 | 1 | 0 |
_aDocumenting cityscapes : _burban change in contemporary non-fiction film / _cIv�an Villarmea �Alvarez. |
| 264 | 1 |
_aNew York, NY : _bColumbia University Press, _c2015. |
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| 300 |
_a1 online resource (240 pages) : _billustrations |
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_aonline resource _bcr _2rdacarrier |
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| 490 | 1 | _aNonfictions. | |
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_tFrontmatter -- _tTable of Contents -- _tAcknowledgements -- _tIntroduction: Place, Images and Meanings -- _t1. On City and Cinema -- _t2. Documentary Film at the Turn of the Century -- _tLandscaping -- _tIntroduction -- _t3. Observational Landscaping -- _t4. Psychogeographical Landscaping -- _t5. Autobiographical Landscaping -- _tUrban Self-Portraits -- _tIntroduction -- _t6. Self-Portrait as Socio-Political Documentary -- _t7. Self-Portrait as Essay Film -- _t8. Self-Portrait as Self-Fiction -- _tMetafilmic Strategies -- _tIntroduction -- _t9. Inside Hollywood Film -- _tConclusion: Cinema as Agent of Urban Change -- _tAppendix -- _tBibliography -- _tIndex. |
| 520 | _aWhile film studies has traditionally treated the presence of the city in film as an urban text operating inside of a cinematic one, this approach has recently evolved into the study of cinema as a technology of place. From this perspective, Documenting Cityscapes explores the way the city has been depicted by nonfiction filmmakers since the late 1970s, paying particular attention to three aesthetic tendencies: documentary landscaping, urban self-portraits, and metafilmic strategies. Through the formal analysis of fifteen works from six different countries, this volume investigates how the rise of subjectivity has helped to develop a kind of gaze that is closer to citizens than to the institutions and corporations responsible for recent major transformations. Documenting Cityscapes therefore reveals the extent to which cinema has become an agent of urban change, in which certain films not only challenge the most controversial policies of late capitalism but also are able to produce spatiality themselves. | ||
| 545 | _aIv�an Villarmea �Alvarez is a film critic and researcher who specializes in the representation of the city in film. He coedits the online film journal A Cuarta Parede and is the coeditor of the volume Jugar con la Memoria. El Cine Portugu�es en el Siglo XXI. | ||
| 546 | _aIn English. | ||
| 590 |
_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide |
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_aCities and towns in motion pictures. _0http://id.loc.gov/authorities/subjects/sh85026189 |
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_aPERFORMING ARTS _xReference. _2bisacsh |
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_aCities and towns in motion pictures. _2fast _0(OCoLC)fst00861867 |
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| 655 | 4 | _aElectronic books. | |
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_aElectronic books. _2lcgft |
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_iPrint version: _a�Alvarez, Iv�an Villarmea. _tDocumenting Cityscapes : Urban Change in Contemporary Non-Fiction Film. _dNew York : Columbia University Press, �2015 _z9780231174534 |
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_aNonfictions. _0http://id.loc.gov/authorities/names/no2007094743 |
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