000 | 03354cam a2200721Ii 4500 | ||
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001 | ocn936322637 | ||
003 | OCoLC | ||
005 | 20200827112043.0 | ||
006 | m o d | ||
007 | cr cnu|||unuuu | ||
008 | 160201r20162000nyua ob 001 0 eng d | ||
040 |
_aN$T _beng _erda _epn _cN$T _dEBLCP _dN$T _dOCLCF _dAGLDB _dICA _dDEBSZ _dD6H _dOCLCQ _dVTS _dOCLCQ _dUKMGB _dTYFRS _dOCLCQ _dSTF _dOCLCQ _dM8D _dOCLCQ |
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015 |
_aGBC007595 _2bnb |
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016 | 7 |
_a017733698 _2Uk |
|
016 | 7 |
_a019671839 _2Uk |
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019 |
_a939262210 _a958104308 |
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020 |
_a9781136219887 _q(electronic bk.) |
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020 |
_a1136219889 _q(electronic bk.) |
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020 | _a9781136219955 | ||
020 | _a1136219951 | ||
020 | _a9781136220029 | ||
020 | _a113622002X | ||
020 | _z9780415168007 | ||
020 |
_z9780415168014 _q(pbk.) |
||
024 | 8 |
_a10.4324/9781315006208 _2doi |
|
029 | 1 |
_aDEBSZ _b48476103X |
|
029 | 1 |
_aUKMGB _b017733698 |
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029 | 1 |
_aUKMGB _b019671839 |
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035 |
_a(OCoLC)936322637 _z(OCoLC)939262210 _z(OCoLC)958104308 |
||
037 |
_a9781136219955 _bIngram Content Group |
||
043 | _ae-uk--- | ||
050 | 4 |
_aPN1993.5.G7 _bS74 2016eb |
|
072 | 7 |
_aPER _x009000 _2bisacsh |
|
082 | 0 | 4 |
_a791.43/0941 _223 |
049 | _aMAIN | ||
100 | 1 |
_aStreet, Sarah, _eauthor. _0http://id.loc.gov/authorities/names/n85350895 |
|
245 | 1 | 0 |
_aBritish cinema in documents / _cSarah Street. |
264 | 1 |
_aNew York : _bRoutledge, _c2016. |
|
264 | 4 | _c�2000 | |
300 |
_a1 online resource : _billustrations |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
||
588 | 0 | _aOnline resource; title from PDF title page (Ebsco, viewed February 11, 2016). | |
500 | _a"First published 2000 by Routledge." | ||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aCover; Title Page; Copyright Page; Table of Contents; List of figures and documents; Acknowledgements; 1 The texts and methods of film history(ies); 2 Celluloid diplomacy: British film and official policy; 3 'What a difference a war makes!': Love on the Dole (1941) and British film censorship; 4 Filippo Del Giudice, Chance �of a Lifetime (1950) and British cinema in the 1940s; 5 Documents of fandom: Margaret Lockwood and Ewan McGregor; 6 The British cinema audience; Conclusion; Appendix: Major sources for the study of British cinema; Notes; Bibliography; Index. | |
590 |
_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide |
||
650 | 0 |
_aMotion pictures _zGreat Britain _xHistory. |
|
650 | 0 |
_aMotion pictures _zGreat Britain _xSources. |
|
650 | 7 |
_aPERFORMING ARTS _xReference. _2bisacsh |
|
650 | 7 |
_aMotion pictures. _2fast _0(OCoLC)fst01027285 |
|
651 | 7 |
_aGreat Britain. _2fast _0(OCoLC)fst01204623 |
|
655 | 4 | _aElectronic books. | |
655 | 7 |
_aHistory. _2fast _0(OCoLC)fst01411628 |
|
655 | 7 |
_aSources. _2fast _0(OCoLC)fst01423900 |
|
776 | 0 | 8 |
_iPrint version: _aStreet, Sarah. _tBritish Cinema in Documents. _d: Taylor and Francis, �2016 _z9780415168007 |
856 | 4 | 0 | _uhttps://libproxy.firstcity.edu.my:8443/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1163340 |
938 |
_aProQuest Ebook Central _bEBLB _nEBL4386778 |
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938 |
_aEBSCOhost _bEBSC _n1163340 |
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938 |
_aTaylor & Francis _bTAFR _n9781315006208 |
||
994 |
_a92 _bMYFCU |
||
999 |
_c50185 _d50185 |