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| 082 | 0 | 4 |
_a781.660941/09047 _223 |
| 049 | _aMAIN | ||
| 100 | 1 |
_aCrossley, Nick, _d1968- _eauthor. _0http://id.loc.gov/authorities/names/n94021236 |
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| 245 | 1 | 0 |
_aNetworks of sound, style and subversion : _bthe punk and post-punk worlds of Manchester, London, Liverpool and Sheffield, 1975-80 / _cNick Crossley. |
| 264 | 1 |
_aManchester : _bManchester University Press, _c2015. |
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| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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| 490 | 1 | _aMusic and society | |
| 588 | 0 | _aOnline resource; title from PDF title page (EBSCO, viewed December 29, 2015). | |
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aCover; Networks of sound, style and subversion; Contents; List of figures and tables ; Acknowledgements; 1 Introduction; 2 Music worlds; 3 Explaining punk: a review of existing accounts; 4 Theorising micro-mobilisation: critical mass, collective effervescence, social networks and social space; 5 Micro-mobilisation and the network structure of the London punk world; 6 The evolution of the London network; 7 Punk goes national: broadcast networks, media and moral panics; 8 From punk to post-punk: a tale of three cities; 9 Joining the dots: post-punk worlds as networks. | |
| 505 | 8 | _a10 The small world of British post-punk11 Conclusion; References; Videography and discography; Index. | |
| 520 | _aThis book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analysis', it teases out the events and mechanisms involved in punk's 'micro-mobilisation', its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of 'music worlds'. Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact. | ||
| 590 |
_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide |
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| 650 | 0 |
_aPunk rock music _zGreat Britain _xHistory and criticism. |
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| 650 | 0 |
_aPunk culture _zGreat Britain. _0http://id.loc.gov/authorities/subjects/sh85109127 |
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| 650 | 7 |
_aMUSIC _xInstruction & Study _xTheory. _2bisacsh |
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| 650 | 7 |
_aPunk culture. _2fast _0(OCoLC)fst01084152 |
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| 650 | 7 |
_aPunk rock music. _2fast _0(OCoLC)fst01084153 |
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| 651 | 7 |
_aGreat Britain. _2fast _0(OCoLC)fst01204623 |
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| 655 | 0 | _aElectronic books. | |
| 655 | 4 | _aElectronic books. | |
| 655 | 7 |
_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
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| 776 | 0 | 8 |
_iPrint version: _z9780719088643 _z071908864X _w(OCoLC)905527184 |
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_aMusic and society (Series) _0http://id.loc.gov/authorities/names/n86712583 |
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