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| 005 | 20200810095208.0 | ||
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| 008 | 000807s1997 wiu ob 001 0 eng d | ||
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_a810.9 _220 |
| 049 | _aMAIN | ||
| 100 | 1 |
_aJay, Paul, _d1946- _0http://id.loc.gov/authorities/names/n83146629 |
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| 245 | 1 | 0 |
_aContingency blues : _bthe search for foundations in American criticism / _cPaul Jay. |
| 260 |
_aMadison, Wis. : _bUniversity of Wisconsin Press, _c�1997. |
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| 300 | _a1 online resource (x, 221 pages). | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 490 | 1 | _aThe Wisconsin project on American writers | |
| 504 | _aIncludes bibliographical references (pages 210-216) and index. | ||
| 588 | 0 | _aPrint version record. | |
| 505 | 0 | 0 |
_tModernity and nature in Emerson -- _tEmerson, Whitman, and the problem of culture -- _tGeorge Santayana and Van Wyck Brooks: Pragmatism and the genteel tradition -- _tJohn Dewey: Pragmatism, modernism, and aesthetic criticism -- _tKenneth Burke: Modernism and the motives of rhetoric -- _tConclusion: Rhetoric, neopragmatism, border studies -- Beyond the contingency blues. |
| 520 | _a"Paul Jay focuses his analysis on two strands of American criticism. The first, which includes Richard Poirier and Giles Gunn, has attempted to revive what Jay insists is an anachronistic pragmatism derived from Emerson, James, and Dewey. The second, represented most forcefully by Richard Rorty, tends to reduce American criticism to a metadiscourse about the contingent grounds of knowledge. In chapters on Emerson, Whitman, Santayana, Van Wyck Brooks, Dewey, and Kenneth Burke, Jay examines the historical roots of these two positions, which he argues are marked by recurrent attempts to reconcile transcendentalism and pragmatism. A forceful rejection of both kinds of revisionism, Contingency Blues locates an alternative in the work of the "border studies" critics, those who give our interest in contingency a new, more concrete form by taking an historical, cultural, and anthropological approach to the invention of literature, subjectivity community and culture in a pan-American context."--Jacket. | ||
| 546 | _aEnglish. | ||
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_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide |
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_aAmerican literature _xHistory and criticism _xTheory, etc. |
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_aModernism (Literature) _zUnited States. |
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_aCriticism _zUnited States _xHistory. |
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_aPragmatism. _0http://id.loc.gov/authorities/subjects/sh85106059 |
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_aLITERARY CRITICISM _xAmerican _xGeneral. _2bisacsh |
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_aCriticism _2fast _0(OCoLC)fst00883735 |
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_aLetterkunde. _2gtt |
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_aAmerikaans. _2gtt |
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_aPragmatisme. _2gtt |
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_aModernisme (cultuur) _2gtt |
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_aEnglish. _2hilcc |
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_aLanguages & Literatures. _2hilcc |
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_aAmerican Literature. _2hilcc |
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_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
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| 655 | 0 | _aElectronic books. | |
| 655 | 4 | _aElectronic books. | |
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_iPrint version: _aJay, Paul, 1946- _tContingency blues. _dMadison, Wis. : University of Wisconsin Press, �1997 _z0299154106 _w(DLC) 96042533 _w(OCoLC)35364781 |
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_aWisconsin project on American writers. _0http://id.loc.gov/authorities/names/n84713588 |
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