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001 | ocm44959956 | ||
003 | OCoLC | ||
005 | 20200810094533.0 | ||
006 | m o d | ||
007 | cr cn||||||||| | ||
008 | 000807s1994 mau ob s001 0 eng d | ||
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_aFalco, Raphael, _d1952- _0http://id.loc.gov/authorities/names/n94030176 |
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245 | 1 | 0 |
_aConceived presences : _bliterary genealogy in Renaissance England / _cRaphael Falco. |
260 |
_aAmherst, Mass. : _bUniversity of Massachusetts Press, _c�1994. |
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300 | _a1 online resource (xii, 235 pages). | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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490 | 1 | _aMassachusetts studies in early modern culture | |
504 | _aIncludes bibliographical references (pages 211-221) and index. | ||
520 | _aThis study explores the manner in which English Renaissance poets invented a poetic genealogy. The title comes from Franciscus Junius, who in 1638 used the term "conceived presence" to describe the ancient masters whose paintings had been lost but who nonetheless remained important forebears of the tradition of visual art. Raphael Falco applies the notion of "conceived presences" to late sixteenth-century poets intent on establishing a national literature. They too conceived the presence of their forebears, both ancient and modern. As Falco demonstrates, Elizabethan and Jacobean poets saw Philip Sidney as their most important modern precursor and placed him at the root of their family tree. | ||
520 | 8 | _aThe book's introduction examines the use of heraldic and genealogical rhetoric in relation to theories of the origins of poetry. Subsequent chapters provide close studies of Sidney, Edmund Spenser, Ben Jonson, and John Milton. Falco demonstrates a thorough knowledge of the most recent Renaissance criticism, both historicist and linguistic. His book reveals a promising synthesis of critical approaches, a New Humanism in which theoretical perspectives and philological research combine to shed light on the aesthetic ambitions of English Renaissance poets. | |
505 | 0 | _aInstant artifacts: vernacular elegies for Philip Sidney -- Rhymes to please the dead: Spenser's "Astrophel" -- "A fire now, that lent a shade": Ben Jonson's conversion of the Sidney Legacy and his crowning of Shakespeare -- Repudiated trees: genealogy and election in John Milton. | |
588 | 0 | _aPrint version record. | |
506 |
_3Use copy _fRestrictions unspecified _2star _5MiAaHDL |
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_aElectronic reproduction. _b[S.l.] : _cHathiTrust Digital Library, _d2011. _5MiAaHDL |
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_aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. _uhttp://purl.oclc.org/DLF/benchrepro0212 _5MiAaHDL |
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546 | _aEnglish. | ||
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_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide |
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_aEnglish poetry _yEarly modern, 1500-1700 _xHistory and criticism. |
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_aNationalism and literature _zEngland _xHistory _y16th century. |
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_aNationalism and literature _zEngland _xHistory _y17th century. |
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_aInfluence (Literary, artistic, etc.) _0http://id.loc.gov/authorities/subjects/sh85066122 |
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_aRenaissance _zEngland. |
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_aLITERARY CRITICISM _xShakespeare. _2bisacsh |
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_aAuthority in literature. _2fast _0(OCoLC)fst00821686 |
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_aEnglish poetry _xEarly modern. _2fast _0(OCoLC)fst01710963 |
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_aInfluence (Literary, artistic, etc.) _2fast _0(OCoLC)fst00972484 |
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_aGenealogie _gMotiv _2gnd |
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_aEnglisch. _2swd |
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_aEnglish. _2hilcc |
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_aEnglish Literature. _2hilcc |
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_a1500-1700 _2fast |
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653 | 0 | _aAuthority in literature | |
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_aEnglish poetry _aEarly modern, 1500-1700 _aHistory and criticism |
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_aGeschichte _a1500-1700 |
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_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
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_aHistory. _2fast _0(OCoLC)fst01411628 |
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655 | 0 | _aElectronic books. | |
655 | 4 | _aElectronic books. | |
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_iPrint version: _aFalco, Raphael, 1952- _tConceived presences. _dAmherst, Mass. : University of Massachusetts Press, �1994 _z087023935X _w(DLC) 94014812 _w(OCoLC)30318955 |
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_aMassachusetts studies in early modern culture. _0http://id.loc.gov/authorities/names/n92044567 |
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