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| 001 | ocm44954970 | ||
| 003 | OCoLC | ||
| 005 | 20200810092650.0 | ||
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| 008 | 000807s1993 ilua ob 001 0 eng d | ||
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_a302.23/43/097309048 _220 |
| 049 | _aMAIN | ||
| 100 | 1 |
_aPalmer, William J., _d1943- _0http://id.loc.gov/authorities/names/n86108076 |
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| 245 | 1 | 4 |
_aThe films of the eighties : _ba social history / _cWilliam J. Palmer. |
| 260 |
_aCarbondale : _bSouthern Illinois University Press, _c�1993. |
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| 300 |
_a1 online resource (xv, 335 pages) : _billustrations |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 504 | _aIncludes bibliographical references (pages 313-323) and index. | ||
| 505 | 0 | _aThe holograph of history -- The Vietnam War as film text -- The "coming home" films -- The terrorism film texts -- The nuclear war film texts -- From the "evil empire" to Glasnost -- The feminist farm crisis and other neoconservative feminist texts -- The yuppie texts -- Film in the holograph of new history. | |
| 588 | 0 | _aPrint version record. | |
| 506 |
_3Use copy _fRestrictions unspecified _2star _5MiAaHDL |
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| 533 |
_aElectronic reproduction. _b[S.l.] : _cHathiTrust Digital Library, _d2010. _5MiAaHDL |
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| 538 |
_aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. _uhttp://purl.oclc.org/DLF/benchrepro0212 _5MiAaHDL |
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| 583 | 1 |
_adigitized _c2010 _hHathiTrust Digital Library _lcommitted to preserve _2pda _5MiAaHDL |
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| 520 | 8 |
_aAnnotation. _bIn this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties. Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies. Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it. |
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| 590 |
_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide |
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| 650 | 0 |
_aMotion pictures _xSocial aspects _zUnited States. |
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| 650 | 6 |
_aCin�ema _xAspect social _z�Etats-Unis. |
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| 650 | 7 |
_aSOCIAL SCIENCE _xMedia Studies. _2bisacsh |
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| 650 | 7 |
_aMotion pictures _xSocial aspects. _2fast _0(OCoLC)fst01027384 |
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| 651 | 7 |
_aUnited States. _2fast _0(OCoLC)fst01204155 |
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| 655 | 0 | _aElectronic books. | |
| 655 | 4 | _aElectronic books. | |
| 776 | 0 | 8 |
_iPrint version: _aPalmer, William J., 1943- _tFilms of the eighties. _dCarbondale : Southern Illinois University Press, �1993 _z0809318377 _w(DLC) 92033720 _w(OCoLC)26767715 |
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