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008 000816s1995 enka obq 001 0 eng d
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020 _a9780198742296
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050 4 _aPN1993.5.G7
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082 0 4 _a791.43/0941
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084 _a24.32
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049 _aMAIN
100 1 _aHigson, Andrew.
_0http://id.loc.gov/authorities/names/n94069902
245 1 0 _aWaving the flag :
_bconstructing a national cinema in Britain /
_cAndrew Higson.
260 _aOxford :
_bClarendon Press,
_c1995.
300 _a1 online resource (xii, 322 pages) :
_billustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
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338 _aonline resource
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347 _atext file
_bPDF
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504 _aIncludes bibliographical references (pages 299-315) and index.
504 _aFilmography: pages 295-298.
520 _aWhat does it mean to speak of a 'national' cinema? To what extent can British cinema, dominated for so many years by Hollywood, be considered a national cinema? Waving the Flag investigates these questions from a historical point of view, and challenges many of the received wisdoms of British cinema history. Drawing some revealing conclusions about the extent to which the many rich traditions of British film-making share the same distinctive stylistic and ideological characteristics, what emerges is a sometimes surprising picture of a specifically national cinema. Andrew Higson investigates theories of national cinema, and surveys the development of the British film industry and film culture. Three case studies combine histories of production and reception with textual analysis of key films from the 1920s, 1930s, and 1940s. Focusing on Cecil Hepworth's Comin' Thro' The Rye, the first of these looks at the evolution of an art cinema in the early 1920s. Two popular musical comedies of 1934, Sing As We Go and Evergreen, are then contrasted as the products of two quite distinct industrial strategies for coping with the overwhelming presence of Hollywood. Finally, the author reexamines the status of the documentary idea in British national cinema and looks at its influence on two Second World War films, Millions Like Us and This Happy Breed.
505 0 _aBritish film culture and the idea of national cinema -- The Heritage Film, British cinema, and the national past: Comin' Thro' The Rye -- Economic competition and product differentiation-popular cinema and the film industry in the mid-1930s: Sing As We Go and Evergreen -- The documentary idea and the melodrama of everyday life-the public, the private, and the national family: Millions Like Us and This Happy Breed -- Constructing a national cinema in Britain: some conclusions.
588 0 _aPrint version record.
506 _3Use copy
_fRestrictions unspecified
_2star
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533 _aElectronic reproduction.
_b[Place of publication not identified] :
_cHathiTrust Digital Library,
_d2010.
_5MiAaHDL
538 _aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
_uhttp://purl.oclc.org/DLF/benchrepro0212
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583 1 _adigitized
_c2010
_hHathiTrust Digital Library
_lcommitted to preserve
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590 _aeBooks on EBSCOhost
_bEBSCO eBook Subscription Academic Collection - Worldwide
650 0 _aMotion pictures
_zGreat Britain
_xHistory.
650 6 _aCin�ema
_zGrande-Bretagne
_xHistoire.
650 7 _aPERFORMING ARTS
_xFilm & Video
_xReference.
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650 7 _aMotion pictures.
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_0(OCoLC)fst01027285
651 7 _aGreat Britain.
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651 7 _aGro�britannien
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650 1 7 _aFilmkunst.
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650 0 7 _aFilm.
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653 0 _aCinema
_aFilms (Motion pictures)
_aHistory
653 0 _aGreat Britain
655 0 _aElectronic books.
655 4 _aElectronic books.
655 7 _aHistory.
_2fast
_0(OCoLC)fst01411628
776 0 8 _iPrint version:
_aHigson, Andrew.
_tWaving the flag.
_dOxford : Clarendon Press, 1995
_z0198742290
_w(DLC) 94030577
_w(OCoLC)30894711
856 4 0 _uhttps://libproxy.firstcity.edu.my:8443/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=19255
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