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049 _aMAIN
100 1 _aPritchard, William H.
_0http://id.loc.gov/authorities/names/n79072927
245 1 0 _aTalking back to Emily Dickinson and other essays /
_cWilliam H. Pritchard.
260 _aAmherst :
_bUniversity of Massachusetts Press,
_c�1998.
300 _a1 online resource (xiii, 303 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
504 _aIncludes bibliographical references and index.
505 0 _aWriting well is the best revenge -- That Shakespearian rag -- Burke's great melody -- Responding to Blake -- Wordsworth's "Resolution and independence" -- Byron in his letters -- My Bront� problem, and yours? -- Reading Hawthorne -- Nineteenth-century American poetry -- Talking back to Emily Dickinson -- Matthew Arnolds' permanence -- What to do with Carlyle? -- Henry James on tour -- Yeats's first fifty years -- T.S. Eliot: a revaluation -- Fabulous monster: Ford Madox Ford as literary critic -- R.P. Blackmur's last song -- Anthony Powell's serious comedy -- Appreciating Kingsley Amis -- Naipaul's written world -- Looking back at Lessing -- Mailer in retrospect -- Terry Southern: R.I.P. -- Robert Penn Warren's late poems -- Donald Hall's poetry -- Donald Davie as critic of modern poets -- The last man of letters: Julian Symons.
506 _3Use copy
_fRestrictions unspecified
_2star
_5MiAaHDL
533 _aElectronic reproduction.
_b[Place of publication not identified] :
_cHathiTrust Digital Library,
_d2010.
_5MiAaHDL
538 _aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
_uhttp://purl.oclc.org/DLF/benchrepro0212
_5MiAaHDL
583 1 _adigitized
_c2010
_hHathiTrust Digital Library
_lcommitted to preserve
_2pda
_5MiAaHDL
588 0 _aPrint version record.
520 _aThis collection makes the case for literary criticism as an informed, aggressive, personal, and often humorous response to writers and writing. An unrepentant academic, William Pritchard nonetheless finds himself looking vainly, in much current professional study of literature, for what he sees as criticism's central task. This involves, in part, an attentiveness to the performing voice of the novelist, poet, or essayist under discussion. To bring out that quality, the critic must exploit, with invention and intrepidity, his or her own responsive voice - must "talk back" to the work of art.
546 _aEnglish.
590 _aeBooks on EBSCOhost
_bEBSCO eBook Subscription Academic Collection - Worldwide
650 0 _aEnglish literature
_xHistory and criticism.
_0http://id.loc.gov/authorities/subjects/sh85043833
650 0 _aAmerican literature
_xHistory and criticism.
_0http://id.loc.gov/authorities/subjects/sh85004351
650 7 _aLITERARY CRITICISM
_xEuropean
_xEnglish, Irish, Scottish, Welsh.
_2bisacsh
650 7 _aAmerican literature.
_2fast
_0(OCoLC)fst00807113
650 7 _aEnglish literature.
_2fast
_0(OCoLC)fst00911989
650 7 _aEnglish Literature.
_2hilcc
650 7 _aEnglish.
_2hilcc
650 7 _aLanguages & Literatures.
_2hilcc
655 4 _aElectronic books.
655 7 _aCriticism, interpretation, etc.
_2fast
_0(OCoLC)fst01411635
776 0 8 _iPrint version:
_aPritchard, William H.
_tTalking back to Emily Dickinson and other essays.
_dAmherst : University of Massachusetts Press, �1998
_z1558491384
_w(DLC) 98010322
_w(OCoLC)38426013
856 4 0 _uhttps://libproxy.firstcity.edu.my:8443/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=13913
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