000 | 05413cam a2200733Ma 4500 | ||
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001 | ocm42855950 | ||
003 | OCoLC | ||
005 | 20200810091004.0 | ||
006 | m o d | ||
007 | cr cn||||||||| | ||
008 | 960425s1997 nyua ob 001 0 eng d | ||
010 | _z 96020292 | ||
040 |
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_a0585076626 _q(electronic bk.) |
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_a9780585076621 _q(electronic bk.) |
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020 | _z0791433013 | ||
020 | _z0791433021 | ||
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_z9780791433010 _q(hardcover ; _qalk. paper) |
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_z9780791433027 _q(pbk. ; _qalk. paper) |
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072 | 7 |
_aSOC _x001000 _2bisacsh |
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082 | 0 | 4 |
_a305.8/96073 _220 |
049 | _aMAIN | ||
100 | 1 |
_aReid, Mark _q(Mark A.) _0http://id.loc.gov/authorities/names/n89629640 |
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245 | 1 | 0 |
_aPostNegritude visual and literary culture / _cMark A. Reid. |
260 |
_aAlbany : _bState University of New York Press, _c�1997. |
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300 |
_a1 online resource (xiv, 146 pages) : _billustrations |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_atext file _bPDF _2rda |
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490 | 1 | _aSUNY series, cultural studies in cinema/video | |
504 | _aIncludes bibliographical references (pages 135-140) and index. | ||
505 | 0 | 0 |
_g[ch]. 1. _tPostnegritude and critical theory -- _g[ch]. 2. _tNegritude to postnegritude -- _g[ch]. 3. _tBlack masculinity of the negritude -- _g[ch]. 4. _tRenegotiating black masculinity -- _g[ch]. 5. _tBlack women and interracial love. |
506 |
_3Use copy _fRestrictions unspecified _2star _5MiAaHDL |
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533 |
_aElectronic reproduction. _b[Place of publication not identified] : _cHathiTrust Digital Library, _d2010. _5MiAaHDL |
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538 |
_aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. _uhttp://purl.oclc.org/DLF/benchrepro0212 _5MiAaHDL |
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583 | 1 |
_adigitized _c2010 _hHathiTrust Digital Library _lcommitted to preserve _2pda _5MiAaHDL |
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588 | 0 | _aPrint version record. | |
520 | _aIn the 1960s and 1970s, the civil rights movement and other national and cultural movements fractured dominant paradigms of American identity and demanded a reformulation of American values and norms. This book borrows the moral, ethical, and political purposes of these movements to show how film, literature, photography, and television news broadcasts construct essentialist myths about race, gender, sexuality, and nation. It also examines how some visual and literary works and public reactions challenge these essentialist myths by exploring racial, sexual, and national anxieties. | ||
590 |
_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide |
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650 | 0 |
_aBlacks and mass media. _0http://id.loc.gov/authorities/subjects/sh96004797 |
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650 | 6 | _aNoirs et m�edias. | |
650 | 7 |
_aSOCIAL SCIENCE _xEthnic Studies _xAfrican American Studies. _2bisacsh |
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650 | 7 |
_aBlacks and mass media. _2fast _0(OCoLC)fst00834022 |
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650 | 7 |
_aNoirs et m�edias. _2ram |
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650 | 7 |
_aNoirs _xDans la litt�erature. _2ram |
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655 | 0 | _aElectronic books. | |
655 | 4 | _aElectronic books. | |
776 | 0 | 8 |
_iPrint version: _aReid, Mark (Mark A.). _tPostNegritude visual and literary culture. _dAlbany : State University of New York Press, �1997 _z0791433013 _w(DLC) 96020292 _w(OCoLC)34669395 |
830 | 0 |
_aSUNY series, cultural studies in cinema/video. _0http://id.loc.gov/authorities/names/n96040861 |
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856 | 4 | 0 | _uhttps://libproxy.firstcity.edu.my:8443/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=5359 |
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_aInternet Archive _bINAR _npostnegritudevis0000reid |
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