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006 m o d
007 cr cn|||||||||
008 940722s1995 nyua ob s001 0 eng d
010 _z 94030826
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020 _z0791423174
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035 _a(OCoLC)42854951
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082 0 4 _a306.4/7
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084 _a21.99
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049 _aMAIN
245 0 0 _aCritical issues in electronic media /
_cedited by Simon Penny.
260 _aAlbany :
_bState University of New York Press,
_c�1995.
300 _a1 online resource (vi, 298 pages) :
_billustrations.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 1 _aSUNY series in film history and theory
504 _aIncludes bibliographical references (pages 275-285) and index.
505 0 0 _tSuck on this, planet of noise! /
_rMcKenzie Wark --
_tIn/quest of presence : virtuality, aurality, and television's Gulf War /
_rFrances Dyson --
_tConsumer culture and the technological imperative : the artist in dataspace /
_rSimon Penny --
_tTechnology is the people's friend : computers, class, and the new cultural politics /
_rRichard Wright --
_tUtopian plagiarism, hypertextuality, and electronic cultural production /
_rCritical Art Ensemble --
_tVirtual worlds : fascination and reactions /
_rFlorian R�otzer --
_tTransforming mirrors : subjectivity and control in interactive media /
_rDavid Rokeby --
_tEncapsulated bodies in motion : simulators and the quest for total immersion /
_rErkki Huhtamo --
_tImage, language, and belief in synthesis /
_rGeorge Legrady --
_tTrack organology /
_rDouglas Kahn --
_tOn monitors and men and other unsolved feminine mysteries : video technology and the feminine /
_rNell Tenhaaf --
_tThe irresistible interface : video's unknown forces and fire-lit waves /
_rDavid Tafler --
_tOne video theory (some assembly required) /
_rGregory Ulmer.
588 0 _aPrint version record.
520 8 _aCritical Issues in Electronic Media is an interdisciplinary sourcebook that offers new critical perspectives directly related to, or arising from, the practice of electronic media art. It sketches the changing topology of culture as it enters electronic space and specifically addresses questions of art practice in that space. Some of the contributions focus on the dynamics of specific emerging media such as interactive media, while others look at the cultural conditions formed by, and forming around, new technological complexes. Still others examine contemporary technocultural manifestations against a background of social and technological history.The contributors are professionally and geographically diverse, representing professional fields such as computer graphics, video, sound, drama, and visual arts as well as media, cultural and literary theory, and the social sciences. Together, these essays provide a rich survey of contemporary technological critique and offer a perspective on creative practice in technological media.
590 _aeBooks on EBSCOhost
_bEBSCO eBook Subscription Academic Collection - Worldwide
650 0 _aVideo art.
_0http://id.loc.gov/authorities/subjects/sh85143195
650 0 _aComputer art.
_0http://id.loc.gov/authorities/subjects/sh85029482
650 0 _aInteractive multimedia.
_0http://id.loc.gov/authorities/subjects/sh90004922
650 6 _aArt vid�eo.
650 6 _aArt par ordinateur.
650 6 _aMultim�edias interactifs.
650 7 _aART
_xPopular Culture.
_2bisacsh
650 7 _aComputer art.
_2fast
_0(OCoLC)fst00872033
650 7 _aInteractive multimedia.
_2fast
_0(OCoLC)fst00975995
650 7 _aVideo art.
_2fast
_0(OCoLC)fst01166389
650 1 7 _aMediakunst.
_2gtt
650 1 7 _aComputerkunst.
_0(NL-LeOCL)07847356X
_2gtt
655 0 _aElectronic books.
655 4 _aElectronic books.
700 1 _aPenny, Simon.
_0http://id.loc.gov/authorities/names/n94070654
776 0 8 _iPrint version:
_tCritical issues in electronic media.
_dAlbany : State University of New York Press, �1995
_z0791423174
_w(DLC) 94030826
_w(OCoLC)30914391
830 0 _aSUNY series in film history and theory.
_0http://id.loc.gov/authorities/names/n94070658
856 4 0 _uhttps://libproxy.firstcity.edu.my:8443/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=6258
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