000			03348nam a2200265 a 4500
001			vtls000018399
003			MY-PjKIC
005			20200206154136.0
008			190228s2019 nyua b 001 0 eng d
020			_a9781138897588
039		9	_a201903250915 _bnaqiuddin _c201903201236 _dfaridah7 _y201902281008 _zfaridah7
090			_a070.49 ILA
100	1		_aIlan, Jonathan.
245	1	4	_aThe international photojournalism industry : _bcultural production and the making and selling of news pictures /​ _cJonathan Ilan.
264		0	_aNew York : _bRoutledge, _c2019.
300			_axii, 235 pages : _billustrations, black and white photographs ; _c24 cm.
336			_2rdacontent _atext
337			_2rdamedia _aunmediated
338			_2rdacarrier _avolume
504			_aIncludes bibliographical references and index.
505	0		_aMachine generated contents note: 1.Introduction The Methods Some Limitations Ethnography for Some, a Problem for Others A Political Economy from Below or Cultural Studies from Above? Cultural Production and the Industries of Culture Commercial Photography Production News Production Ethnographies and International News Production Producing Pictures, Making News, and How this Book Works 2.The Production Process I: From Story to Product The Story The Photography The Equipment The Fieldwork A Final Touch before Take-Off The Product The Local Office 3.The Production Process II: From Product to Story Final Stop (I): The Global Pictures Desk in Singapore and Sales The Global Pictures Desk The Magazine Desk The Keyword Team Global Graphics Pictures Administration Sales Final Stop (II): The Client's End, The Case of The Guardian The International Desk: How Well Did We Do? Contents note continued: 4.An Analysis of Significant Events and their Coverage First Event: Israeli Artillery Base, November 2005 First Event: An Analysis Second Event: Bombing near Tulkarem, December 2005 Second Event: An Analysis Third Event: The Funeral of an Israeli officer, December 2005 Third Event: An Analysis Fourth Event: Carrots Picking Near Nahal Oz, May 2006 Fourth Event: An Analysis Conclusion Who's Dominating the International Photojournalism Industry? New Media, Old (and New) Rivalries Serving News from the Top of the World What Has Changed in the Process A Few Concluding Remarks: A Closure that Offers Some Openings.
520			_aSummary: How are events turned into news pictures that define them for the audience? How do events become commodified into pictures that both capture them and reiterate the values of the agencies that sell them? This book looks at every stage of the production of news photographs as they move to and from the ground and are sold around the world. Based on extensive fieldwork at a leading international news agency that includes participant observation with photographers in the field, at the agency's local and global picture desks in Israel, Singapore, and the UK, in-depth interviews with pictures professionals, and observations and in-depth interviews at The Guardian's picture desk in London, the findings in this book point to a wide cultural production infrastructure hidden from - and yet also nurtured and thus very much determined by - the consumer's eye.
650		0	_aPhotojournalism.
999			_c18132 _d18132