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The returns of history : Russian Nietzscheans after modernity / Dragan Kujundzi�c.

By: Material type: TextTextSeries: SUNY series, the margins of literaturePublication details: Albany : State University of New York Press, �1997.Description: 1 online resource (xii, 219 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 0585089760
  • 9780585089768
  • 9780791432334
  • 0791432335
  • 9780791432341
  • 0791432343
Subject(s): Genre/Form: Additional physical formats: Print version:: Returns of history.DDC classification:
  • 891.709/1 20
LOC classification:
  • PG3026.F6 K85 1997eb
Online resources:
Contents:
1. Nietzsche. A Knight's Move: Nietzsche and the Genealogy of Russian Formalism. Russian Modernism: A Merry Science. The Modernist Paradigm and the Digestion of History -- 2. Parody. History as a Form of Parody/Parody as a Form of History. Parody, Bodily Remains, and the Leftovers of History. Tynianov and Bakhtin: Parody as a Malfunctioning Gramophone of History. On DerRIDEOlogy: Nietzschean Laughter in Bakhtin and Derrida. Bakhtin and the Post-Structuralist Condition. Writing and Laughter: Bakhtin and Derrida -- 3. Interval. The Interval and the Structure of Temporality. Maiakovsky and the Remains of the Literary Canon. The Interval as the Origin of the Work of Art: Akhmatova. Mandel'stam, Pasternak -- 4. Genre. The Literary Fact and the Law of Genre. Genre: A Borderline of Literary Space. Genre: A Borderline of Literary Time -- 5. Mausoleum. The Mummy: "The Most Glorious Victory of Form" Maiakovsky and the Ventriloquism of History.
Russian Formalism and the Birth of the Mausoleum -- 6. Museum. "The Wax Effigy" and the Form/aldehyde of History. The Kunstkamera: Museum in the Age of Mechanical Reproduction. The Circular Ruins of History. The Spurs of the Monument. "It is a Dying History": After Modernism.
Summary: Annotation. The following reading reading of Russian Formalism, Yury Tynianov's (1894-1943) and Mikhail Bakhtin's (1895-1975) work, and Russian Modernism in Stalinist culture, attempts a reinscription of their works and this period in the tradition of Russion Nietzscheanism.
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Includes bibliographical references (pages 205-214) and index.

Print version record.

1. Nietzsche. A Knight's Move: Nietzsche and the Genealogy of Russian Formalism. Russian Modernism: A Merry Science. The Modernist Paradigm and the Digestion of History -- 2. Parody. History as a Form of Parody/Parody as a Form of History. Parody, Bodily Remains, and the Leftovers of History. Tynianov and Bakhtin: Parody as a Malfunctioning Gramophone of History. On DerRIDEOlogy: Nietzschean Laughter in Bakhtin and Derrida. Bakhtin and the Post-Structuralist Condition. Writing and Laughter: Bakhtin and Derrida -- 3. Interval. The Interval and the Structure of Temporality. Maiakovsky and the Remains of the Literary Canon. The Interval as the Origin of the Work of Art: Akhmatova. Mandel'stam, Pasternak -- 4. Genre. The Literary Fact and the Law of Genre. Genre: A Borderline of Literary Space. Genre: A Borderline of Literary Time -- 5. Mausoleum. The Mummy: "The Most Glorious Victory of Form" Maiakovsky and the Ventriloquism of History.

Russian Formalism and the Birth of the Mausoleum -- 6. Museum. "The Wax Effigy" and the Form/aldehyde of History. The Kunstkamera: Museum in the Age of Mechanical Reproduction. The Circular Ruins of History. The Spurs of the Monument. "It is a Dying History": After Modernism.

Annotation. The following reading reading of Russian Formalism, Yury Tynianov's (1894-1943) and Mikhail Bakhtin's (1895-1975) work, and Russian Modernism in Stalinist culture, attempts a reinscription of their works and this period in the tradition of Russion Nietzscheanism.

English.

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